Mad Max Beyond Thunderdome

Mad Max Beyond Thunderdome 5l3x1a

1985 "Hold out for Mad Max. This is his greatest adventure."
Mad Max Beyond Thunderdome
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Mad Max Beyond Thunderdome
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Mad Max Beyond Thunderdome 5l3x1a

6.2 | 1h47m | PG-13 | en | Adventure

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

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6.2 | 1h47m | PG-13 | en | More Info
Released: July. 08,1985 | Released Producted By: Kennedy Miller Productions , Country: Australia Budget: 0 Revenue: 0 Official Website:
info

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

Genre

Science Fiction

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Mad Max Beyond Thunderdome (1985) is now streaming with subscription on Prime Video

Cast

Adam Cockburn

Director

Anni Browning

Producted By

Kennedy Miller Productions

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  • Top Credited Cast
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  • Crew
Anni Browning
Anni Browning

Art Direction

Graham 'Grace' Walker
Graham 'Grace' Walker

Production Design

Martin O'Neill
Martin O'Neill

Set Decoration

Dean Semler
Dean Semler

Director of Photography

Pat Nash
Pat Nash

Grip

Jim Sheldon
Jim Sheldon

Still Photographer

Norma Moriceau
Norma Moriceau

Costume Design

Elizabeth Ann Fardon
Elizabeth Ann Fardon

Key Makeup Artist

Helen Evans
Helen Evans

Makeup Artist

Rosalina Da Silva
Rosalina Da Silva

Makeup Artist

Julie Frankham
Julie Frankham

Seamstress

Cheryl Newton
Cheryl Newton

Wigmaker

Billy Malcolm
Billy Malcolm

Key Scenic Artist

Marcus D'Arcy
Marcus D'Arcy

Post Production Supervisor

Ray Pedler
Ray Pedler

Scenic Artist

Steve Courtley
Steve Courtley

Special Effects Coordinator

Grant Page
Grant Page

Stunt Coordinator

Spike Cherrie

Mad Max Beyond Thunderdome Audience Reviews 4sr3h

Interesteg What makes it different from others?
Protraph Lack of good storyline.
Salubfoto It's an amazing and heartbreaking story.
Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
merelyaninnuendo Mad Max : Beyond Thunderdome3 And A Half Out Of 5Mad Max : Beyond Thunderdome is the final chapter to the beloved character Max that is more than just an epilogue as the character still has potential to and does evolve. The feature takes its time and chews off its characters allowing the audience to sink into it and the makers being aware of the persona of the character and its fame that can easily hold the audience for it. The primary reason why it is more questionable among the fans, would be his character driven approach towards the plot, that maybe slow, but is surely effective. The script is neat and clean and figures its way out as always on delivering the perfect balance of art and commercial aspect of the cinema. The George Miller part of the feature can be clearly seen as it is mild and focused more on the emotional part of it, which is written and executed aptly for the character that has suffered to this extent. The performance has improved a lot and is something the makers can rely upon completely as Gibson is in his A game and carries it off all on his shoulder. The scrutiny in here is simple and sensible with an impactful emotional touch as a goodbye for the character; a perfect end to a trilogy. Mad Max : Beyond Thunderdome weaves in for a better closure and achieves something more colossal from its poetic theme.
disastrousdallas Before i watched this film i knew that this film was the low point of the series.I finally got around to watching it, and despite the fact i was disappointed by the films lack of series trademarks of car chases and a strong silent hero, i found it entertaining to watch.Mel Gibson returns as Max in a mediocre but still entertaining performance, he's ed by in a weird piece of casting Tina Turner and despite having second billing she's not present for most of the film, although her performance is terrific and entertaining to watch.A series tradition of having an actor of a previous Mad Max film aside from the actor Playing Max is upheld with a performance by Bruce Spence, who is criminally under used and relegated to a few short appearances.George Miller Directing is bad but forgivable due to the Death of Series co creator Byron Kennedy, so whilst he handles the action scenes, George Ogilvie handles all non action scenes which most are boring,the action scenes are the highlight of the film and are entertaining to watch as they're few and far between, and of course the best part of the film.
tomgillespie2002 From the opening shot of wandering nomad and mulleted anti-hero Max Rockantansky (Mel Gibson), travelling along the endless Australian plains in a makeshift vehicle put together from spare auto-parts and whatever junk he came across on the road and pulled along by camels, we know that the world George Miller created back in 1979 has descended even further into apocalyptic turmoil, and we are now even further from civilised society than ever before. Max has his vehicle and supplies stolen by Jebediah the Pilot (Bruce Spence), so he is forced to wander barefoot through the desert until he comes across a community dubbed Bartertown, a place where you can trade anything or anyone.Like the vehicles in the world of Mad Max, Bartertown is hammered together from spare parts. It is ruled by Aunty Entity (Tina Turner), who is locked in a constant power-struggle with Master Blaster, a grotesque tag-team who overlooks the pits below the town where pigs are farmed and harvested for methane gas. Master is a dwarf played by Angelo Rossitto who rides on the back of Blaster, a giant of a man who wears a huge concealing helmet, and is played by Paul Larsson. Master Blaster may be George Miller's most interesting creation, and as Max inevitably faces Blaster is the arena known as the Thunderdome - where all quarrels are concluded as two men enter but only one leaves - one of the most inventive scraps in cinema history plays out, as they bounce at each other on huge elastic bands and hack at each other with all manners of weapons.Yet that is only half of the film. Miller resigned himself to just directing the action scenes following the tragic death of his friend and location scout Byron Kennedy, so the rest of the film was put in the hands of George Ogilvie. Narrowly escaping Bartertown with his life, Max discovers the young survivors of a plane crash who has developed their own little tribal society, and it's here that the film goes a bit Peter Pan. Whether this was down to Miller's absence or not - Beyond Thunderdome lacks the edge of its predecessors, occasionally dipping into traditional mainstream fantasy fare and losing focus of its antagonists motivation. Still, the film delivers where expected - the action scenes. Again we get a tanker being chased down by an army of baddies in doomsday vehicle's, and again we are treated to some awe-inspiring stunts that hold up even today. It's the weakest of the original trilogy but hugely entertaining stuff.
WakenPayne I've seen all the Mad Max movies and so far, aside from the first one this is the second worst besides the first one. There's nothing in particular that's wrong with this one but I just really prefer The Road Warrior and Fury Road. Basically the plot is simple, someone manages to steal Max's ride and go to a town with it so he has to go get his stuff back. However halfway through doing what the leader of the town (Tina Turner) he decides to leave but that ends up with him walking through a desert which at the last minute gets him to a civilization that believes that Max can lead them to their paradise, 1980's Sydney. However he decides the way to do this after he is reluctantly dragged along is to steal vehicles and other odds and ends necessary from the town and gain numbers from their prisoners. However them doing this means everyone and their brother is out to get them. The movie is stock Mad Max. Basically that's a problem because there is nothing in it as spectacular to look at as the stunts in Fury Road or The Road Warrior, It's just Max walks in this movie like a cowboy, then leaves in the sunset. There are good things like the cinematography, the stunts and the actors are good for the most part. It just has good elements but never goes above and beyond.

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