Phone Booth

Phone Booth 614y8

2003 "No options. No lies. No fear. No deals. Just keep talking."
Phone Booth
Watch on
Phone Booth
Watch on

Phone Booth 614y8

7.1 | 1h21m | R | en | Thriller

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

View More
Watch Now
7.1 | 1h21m | R | en | More Info
Released: April. 04,2003 | Released Producted By: Fox 2000 Pictures , Zucker/Netter Productions Country: United States of America Budget: 0 Revenue: 0 Official Website:
info

A slick New York publicist who picks up a ringing receiver in a phone booth is told that if he hangs up, he'll be killed... and the little red light from a laser rifle sight is proof that the caller isn't kidding.

Genre

Crime

Watch Online

Phone Booth (2003) is now streaming with subscription on Disney+

Cast

Paula Jai Parker

Director

David Melito

Producted By

Fox 2000 Pictures

Phone Booth Videos and Images 216m72

View All
  • Top Credited Cast
  • |
  • Crew
David Melito
David Melito

Art Department Coordinator

Austin Gorg
Austin Gorg

Assistant Art Director

Tim Y. Wetzel
Tim Y. Wetzel

Assistant Property Master

Michael D'Imperio
Michael D'Imperio

Assistant Property Master

Scot A. McKay
Scot A. McKay

Assistant Property Master

Todd Ellis
Todd Ellis

Property Master

Don Diers
Don Diers

Set Decoration

Chris Davis
Dan Kneece
Dan Kneece

"A" Camera Operator

Richard Walden
Richard Walden

"B" Camera Operator

Jeffrey Norvet
Jeffrey Norvet

"C" Camera Operator

Christopher Duskin
Christopher Duskin

"D" Camera Operator

Matthew Devitt
Matthew Devitt

Best Boy Grip

Matthew Libatique
Matthew Libatique

Director of Photography

Tommy O'Connell
Tommy O'Connell

Dolly Grip

Norman Edward Parker
Norman Edward Parker

First Assistant "A" Camera

Phone Booth Audience Reviews 2uf2e

Hellen I like the storyline of this show,it attract me so much
Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Protraph Lack of good storyline.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Joseph_Gillis I could see myself watching this again, although that's mostly for Forest Whitaker's alternately balletic and swaggering performance (the best big-screen fat man since Jackie Gleason's 'Minnesota Fats?), and the dialogue that Kiefer Sutherland gets to speak, and his demonic cackle.The phone booth of the title is located in mid-town Manhattan, and it's special for being the booth that fast-talking, lying, cheating publicist (Colin Farrell) uses for making motel dates with his girlfriend, because he knows his wife checks his cell-phone bills. Kiefer's an embittered crack-shot tech-wiz ex-Vietnam vet. psycho who's set himself up as some kind of moral arbiter (versatile, isn't he?); he's privy to Farrell's work and play mis-steps, and decides he's fair game for atonement (His previous targets - ultimately, victims - were proper criminals, which would cause one to question his basis of target-selection, given small-time Farrell's inclusion on his list. But at least he claims that he's prepared to set Farrell free, if the degree of his atonement warrants it.)Given that the movie is set almost entirely in and around the phone- booth it's something of a high-wire act to maintain a viewer's interest. That's partly overcome by Kiefer's frequently hilarious demands, and the almost staggering incompetence of the small army of cops that descend on the scene, 'Dog Day Afternoon'-style. But once Forest Whitaker arrives, you know you'll not want to take your eyes off the screen for a split second.Colin Farrell's is a somewhat thankless task, given the character he portrays, and the confined space he has to operate in - in contrast to the wide open spaces available to Whitaker - but I think he pretty much wrings every last inch out of his dialogue, and his reactions to Kiefer's demands. Which frequently cut me up; credit to him for keeping a straight face, throughout. And, given that he's playing a liar and a cheat, there's always the possibility that those tears, and those cries of anguish, are fake.But despite Farrell's tour-de-force performance, Forrest Whitaker bestrides this film like a colossus, in more ways than one.Of course, once you see Larry Cohen's screenplay credit you know it's going to be chock-full of implausibilities, and no little black humour, and it didn't disappoint. But the much-maligned Mr. Schumacher must bear substantial credit for pulling all the strings together, without you seeing the s. Watch, and enjoy - without prejudice.
EBJ Directed by Joel SchumacherStarring Colin Farell, Kiefer Sutherland and Forrest WhitakerOverall: This is one of my favourite thrillers of all time and it is just an incredible movie which doesn't get the amount of attention it deserves.Good: 1. Colin Farell does a great job as Stu Shephard as does Forrest Whitaker as Captain Ramey.2. The true star of this movie, however, is Kiefer Sutherland as the mysterious caller who, even with very limited screen time, gave a chilling performance and was truly irable to do so much with just one's voice.3. The actual story itself was fantastic and I loved every single second of it.4. The idea is simple: One man in a phonebooth being harassed by a sniper. So simple yet so genius and incredible simultaneously. It proves that a movie doesn't need to be 'Inception' levels of complex, to be great.5. Perfect ending which couldn't have been done any better.6. I like the cinematography. It's simple and focuses on the phonebooth. It doesn't overachieve which is perfect for the movie.7. The sheer isolation of the movie is very claustrophobic and is such a perfect choice which places you in the shoes of the lead character.8. I love how 'Who the villain is' is open to interpretation. Personally, I see the Sniper's targets to be the villains and him the good guy. Think about it, he kills a Paedophile, corrupt business man, pimp and then threatens a man cheating on his wife. The caller's not a saint and is still technically a criminal but he is closer to the good guy than Stu is.Bad:1. His wife and mistress felt more like plot points than characters and their acting was pretty poor also. 2. His protégé kind of just showed up and left whenever he was needed. This could have been tweaked.9/10
Stefan Hligy I'm not by nature a Colin Farrell fanboy. However, I am a real fan of minimalist movies with single locations or contained thrillers. This one created its containment via the story and it did it so well.I looked at the trivia and could not believe they filmed this in ten days! It has pace and has a story that is credible. Things I didn't like relate to why Farrell didn't find a way to help the cops more? I really did like that he played a sleaze ball and that the sniper had some morals.. great twist.Strong performances all round that keep you glued to the seat. A story that feels credible that is totally sold in this clever movie.
daryanparab Meet Stu, a publicist. He is full of himself, full of lies and good at talking. When he picks up a call at a phone booth, he ends up with a sniper laser on pointing on his chest. The man at the other end of the line clearly means business though we don't yet know what he wants. Most of the entire movie takes place around the phone booth. Yet, there is hardly a dull moment. The movie does exceedingly well at maintaining the tension throughout. It takes you to the edge of your seat - and holds you there. Kiefer Sutherland is the perfect choice for the man at the other end of the line. The role requires a powerful impact only with the voice, and Sutherland couldn't have done better. Colin Farrell does his part well, and we are convinced by the transition from insolence to helplessness and eventually desperation. Joel Schumacher has really risen well past his Batman movies and gives us a truly breathtaking thriller.

Copyright © 2016 - 2025 gowatching.voirdesfilms.net