Wrong Turn at Tahoe

Wrong Turn at Tahoe 2n3p3q

2009 ""
Wrong Turn at Tahoe
Wrong Turn at Tahoe

Wrong Turn at Tahoe 2n3p3q

6 | 1h31m | R | en | Drama

A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.

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6 | 1h31m | R | en | More Info
Released: November. 16,2009 | Released Producted By: North by Northwest Entertainment , Martini Films Country: United States of America Budget: 0 Revenue: 0 Official Website:
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A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the country.

Genre

Thriller

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Cast

Genevieve Alexandra

Director

Joe Lemmon

Producted By

North by Northwest Entertainment

Wrong Turn at Tahoe Videos and Images 2w464o

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  • Top Credited Cast
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  • Crew
Joe Lemmon
Joe Lemmon

Production Design

Christopher LaVasseur
Christopher LaVasseur

Cinematography

Franck Khalfoun
Franck Khalfoun

Director

Danny Roth
Danny Roth

Casting

Peter Abrams
Peter Abrams

Executive Producer

Sam Bernard
Sam Bernard

Executive Producer

Darin Spillman
Darin Spillman

Executive Producer

Robert L. Levy
Robert L. Levy

Executive Producer

Mischa Jakupcak
Mischa Jakupcak

Line Producer

Freddy Braidy
Freddy Braidy

Producer

Rich Cowan
Rich Cowan

Producer

Johnny Martin
Johnny Martin

Producer

Wrong Turn at Tahoe Audience Reviews 2e470

Hellen I like the storyline of this show,it attract me so much
Interesteg What makes it different from others?
Cortechba Overrated
Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Nick Damian I watched plenty of movies this week and out of them, I think this is the best of the bunch.The setup was good and it followed through rather nicely.The story flowed well and there was not an over use of hard language or violence where there didn't need to be.Of all the gangster movies I watched, this is one of the better ones.What I really liked was that the film didn't take place in New York, Chicago, L.A. or Miami.It also takes place in winter and not everybody lives in the largest of homes or has the latest fashions or has poor vocabulary skills.The entire structure is nicely constructed and is a worthwhile viewing.The Scorpion and the Frog story made total sense and brought back some memories of someone who used to tell me that same story - and in this movie, it made total sense.Nice job to all.
callanvass (Credit IMDb) A small-time crime boss kills a drug dealer without realizing that the drug dealer works for the biggest crime boss in the countryWrong Turn at Tahoe could possibly be a potentially much-needed turning point in Cuba's falling career. This movie reeks of class, and ranks as one of the better mobster flicks. The shoot out at the end is not only exciting, but felt like a big theater epic. I was really surprised a film this solid was stuck going DTV, I've seen plenty of Theatrical movies that are worse then this one go to theaters, that shouldn't have. I also thought it was built up very efficiently. The opening paves way for what is to become of the movie, and I thought it paved off flawlessly. Pacing issues in the middle is a slight complaint, but that's really it. Performances. Cuba Gooding is excellent in his role. I saw ion, I saw the talent, and I saw the hunger that I haven't in a long time. I've been depressed and disappointed with many of his DTV films, except the solid Line Watch, so needless to say I am thrilled with his effort here. Miguel Ferrer is fantastic, and adds class to every movie he's in. His intensity is enthralling to watch, and I loved his chemistry with Cuba. Harvey Keitel is solid in his role. Screen time precious, performance just great. Bottom line. This is better then a lot of Mobster films that went to theaters. It's paced just right aside from the notion about the middle I said earlier in my review. Hopefully this is the start of a renaissance for Cuba of sorts. If, anything else he's headed in the right direction. Recommended7 ½ /10
Wizard-8 If you have kept an eye on Cuba Gooding Jr.'s career over the past few years, you probably know he's been churning out awful direct-to-DVD movies after being branded box office poison. Having seen several of these movies, I initially had no plans to see "Wrong Turn At Tahoe". I only decided to give it a whirl after reading a positive review of it at another web site.I was surprised by what I watched - this is a pretty decent drama. First, the production values are very strong for what was reportedly just an $8 million budget. It looks slick, while at the same time having a moody look that's appropriate for the nastiness that happens. As for Gooding, he is for once believable in his role, successfully showing a hard edge for his character. However, it is Miguel Ferrer who steals the show as Gooding's boss - he really commands the screen when the center of attention is on him.The dialogue is good, colorful yet not in a show-off manner. The characters are believable in their actions. And the movie travels at a relaxed pace (though not TOO relaxed). Some younger viewers might find it too slow, but I thought the movie kept interest despite its slow pace.The movie is not perfect. The decision to show part of the end at the beginning somewhat spoils things. The hand-to-hand combat at the climax seems out of an action movie, not a serious drama. And the "twist" at the last minute is somewhat silly; I could not believe the revelation would have stayed hidden for so long. There are a couple of other flaws I could mention, but overall this is an engaging movie that could have played in theaters.
theinvisibletuesday With a great cast how could a film go wrong? Oh wait... Heat? I have to say Franck Khalfoun makes a valiant effort as a fairly young director, and he shows a great amount of potential to become a master. The majority of the acting and cinematography was also good, but the foundation of a film is the script. When are the studios going to stop wasting money on films with horrendous scripts? Eddie Nickerson's lack of writing experience is obvious in this clichéd piece of tripe. He borrows heavily from the writing styles of Quentin Tarantino and Martin Scorsese with out the originality or guts to make the script his own. Here's a tip Eddie: leave Quentin and Scorsese's writing styles to Quentin and Scorsese!