sandcrab277 This is the perfect example of why these stupid movies are produced... someone said they loved it ... i thought it was tripe ... way too much over done garbage... and trying too hard to get a laugh.... its not quirky, its just bad ... kirsten dunst is obnoxious ... the critics were correct .... don't waste valuable time on this film
BasicLogic I sat with my wife and watched this wonderful film till past midnight. I want to praise the screenplay writer/director, Cameron Crowe, for a fantastic and unique achievement. Also, the casting agency that had chosen wisely and smartly for all the actors signed up for this film, a real success. Orlando Bloom and Kirsten Dunst, what a great choice to play these two lovely young persons! We totally enjoyed this film, not one moment bored since I never felt sleepy or even yawned once after midnight; a proof how good this film is.
Max_in_Vienna Whatever this film intended to be, it missed its mark regally. If the first 20 Minutes held an unsure promise of a light romantic comedy, then the remaining one hundred tedious ones not only dash this hope, but insist on introducing, then butchering, other genres, from "road movie" to "small-town idyll" to "self-discovery trip".Although Drew, played by Mr Orlando Bloom, manages to portray a more or less sympathetic if innocuously lightweight character, and Ms Dunst, as Claire, probably couldn't help coming across as sweet to save her life, describing the rest of the cast as one-dimensional would be giving credit where none is due. Ms Sarandon, as Drew's father's distraught widow Hollie, shows not a hint of the talent we have seen from her so often, not that story or dialogue give her much of an opportunity of doing so, and the inhabitants of Elizabethtown attempt the portrayal of a combination of lovable stereotypes and dysfunctional small-town caricatures without ever managing to convey even the canned emotions associated with these clichés.Beyond that, what remains is an exhausting feeling of relief glimpsing the final credits. After two hours of a downhill ride in which every scene seems the low point of the film, only to be outdone by the next one, it is reminiscent of the five stages of grief without the opportunity to bargain. If the first half of the movie splashes along, alternating between an over-the-phone love story, fittingly lacking intelligent dialogue, a flaky widow somewhere between denial and atonement, and the burial of a man whom we have never met nor care about by a group of people we haven't met and do not care about either, not to mention the side-story of the marriage of a couple who we, yes one might have guessed, didn't care about in the first place.Had this been all, then this film could well queue up with so many other below-average romantic comedies destined for afternoon showing on local weekend television or to gather digital dust in some discount pay-per-view collection, but regrettably the coasting downhill ride is about to pick up pace.The film's initial climax, for lack of a more apposite word, begins with a memorial service attended by all the culprits. A series of uninspired eulogies lead up to Hollie's speech before the assembled Elizabethtowners which invariably prompts vicarious embarrassment, similar to the impulse one gets of turning down the sound when some reality show nitwit intentionally, or worse unintentionally, makes a fool of himself. But a Susan Sarandon, recounting stories of erections, followed by singing and tap-dancing her way through the remainder of the eulogy is not the grand finale, but only a further low point with worse to come. This vaudevillian fiasco, followed by a would-be rock band composed of assorted relatives, culminates in a giant papier-mâché dove setting fire to the ball room and sending all guests scurrying for the exits; Deus ex machina meets Carrie. The final ten or so minutes of a denouement turned road trip is spent on Drew's paper chase across the mid-west which manages to pack all the shallowest clichés of an Americana apology into a condensed Smörgåsbord appealing only to the most undiscerning viewer.On the bright side, there is one thing the viewer may cling to: after 123 minutes … it is over.
ericvr This is one of my all-time favorite films. I can watch it over and over again every year.it is insightful to the plight of chasing your callit is encouraging in the pursuit of truly being yourselfit is a great road trip film with inspiring stops and killer music - top notchit reminds you to love your parents while they are around(even if you don't have the best relationship with them)it is one of the best romantic comedy movies that isn't sappy.Orlando Bloom is funny, impacting and emotional without being sappy.Kirsten Dunst is authentic, charming, vulnerable and loving.The entire movie has a nice mixture of stupid funny and heartfelt inspiration.Again, I love this movie. Watch i when you're not going to be interrupted. Put up with some of the silliness and get ready to be moved. You'll love it too!
