Interesteg What makes it different from others?

Incannerax What a waste of my time!!!

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Wuchak RELEASED IN 1958 and directed by Terence Fisher, "Horror of Dracula" chronicles events when Jonathan Harker (John Van Eyssen) goes to Dracula's castle under the pretense of a librarian. Later, the Prince of Darkness travels to Karlstadt, , to prey on Harker's fiancée, Lucy (Carol Marsh), and her relatives, Arthur & Mina (Michael Gough & Melissa Stribling). Dr. Van Helsing (Peter Cushing), a student of vampirism and a friend of Harker's, shows up to try to put an end to the Count's reign of terror. Hammer Studios did nine Dracula films from 1958 to 1974: Horror of Dracula (1958); The Brides of Dracula (1960); Dracula: Prince of Darkness (1966); Dracula Has Risen from the Grave (1968); Taste the Blood of Dracula (1969); Scars of Dracula (1970); Dracula AD 1972 (1972); The Satanic Rites of Dracula (1973); and The Legend of the 7 Golden Vampires (1974. Christopher played the Count in every one of these except "The Brides of Dracula" and "The Legend of the 7 Golden Vampires." Hammer fans typically praise this first film in the series, Lee's first gig as Dracula, and it is a solid entry with the typical Hammer highlights: Lush Gothic ambiance, bright colors, Lee & Cushing and bodacious women. Lee's diabolical interpretation of the Count is another highpoint, not to mention one of the most stunning horror scores by James Bernard. Unfortunately, the abridged story loosely based on Stoker's novel is somehow unsatisfactory and there are too many 50's limitations IMHO.Here's one curious abbreviation: In the book the story starts in Transylvania, switches to England with Dracula voyaging to London, but ends up back in Transylvania for the climax. Coppola's 1992 film adhered to this European globetrotting, but Hammer decided to simplify the geography where travel time is condensed to something akin to a European theme park rather than reality. The tale starts outside of Klausenburg, the capital of Transylvania in Central Romania at the time, with Drac's castle nearby, then switches to Karlstadt, in South-Central , which is roughly 750 miles from Klausenburg in reality, yet a mere carriage drive away in this film, perhaps 20 miles.THE MOVIE RUNS 1 hour 22 minutes and was shot entirely in Bray, Berkshire, England. WRITERS: Jimmy Sangster (screenplay) and Bram Stoker (novel). GRADE: B-

Cineanalyst The first color-filmed Dracula (minus the tinting/toning of "Nosferatu" (1922) and a brief shot from the contemporary "The Return of Dracula" (1958)), we finally got to see the technicolor red blood in a cinematic treatment of Bram Stoker's novel—actually, this is the first instance of much if any blood at all in a Dracula movie. Another indication of the more-relaxed censorship by 1958, Hammer's "Dracula" is considerably more sexualized. Beyond introducing the familiar story to the splatter subgenre of its day, however, it's a relatively routine, if not bare-bones, adaptation story-wise, although, consequently, the plotting is punchier than most other Dracula movies.It wastes little time in jumping into the action, as Jonathan Harker is changed into a librarian imposter (yeah, I don't know why – an allusion to the film's source, perhaps) and undercover vampire hunter. The part of skeptic is played by the expanded role given to Arthur Holmwood, who's largely the Watson figure here to Van Helsing's Sherlock Holmes. Viewing this film, it's not surprising in the least that Peter Cushing, who plays Van Helsing, would play Holmes the very next year in "The Hound of the Baskervilles," nor is it surprising that he'd later play the Doctor, who also gets to show off his brilliance to stupid companions, in a couple "Doctor Who" movies. Meanwhile, Michael Gough, as Arthur, later turned to serve another batman in the 1989-1997 comic-book tetralogy. There was always an element of Holmes/Watson to "Dracula," demonstrating the connections between the horror and mystery genres, but finally having Englishmen play the parts surely stresses the similarities.Mina and Lucy, instead of switching roles this time, as they have in other adaptations, trade lovers, with Jonathan becoming Lucy's beloved and Mina marrying Arthur. Incestuously, Lucy also becomes the sister of Arthur, her former fiancé from the novel. As with most misogynist movie revisions of Stoker's tale, the two leading ladies are turned into lustful damsels-in-distress while the men play heroes. Additionally, Dr. Seward's role is reduced, and Renfield and the Texas suitor are eliminated (a Renfield type, however, appears in the third film of the series, "Dracula: Prince of Darkness" (1966)). The three female vampires from Castle Dracula are reduced to one, but this is compensated for by her displaying ample cleavage.Christopher Lee's Dracula is a relatively mute rendition; the titular role is reduced here to a ing character to the crime- solving duo of Van Helsing and Arthur. But, with the aid of dramatic reveals involving thundering music, cutaways and close-up entrances, Lee does make an impact. His Dracula is basically just a monster, sporting fangs, blood-shot s and a blood-stained mouth, yet still mostly in the suave vampire tradition of Bela Lugosi. That's fine; it's appropriate for the action-packed pacing and splatter-type horror of this "Dracula." And having an ugly Count, as in the novel, would've distracted from the sexual acts of his book-connoisseur, country gent preying on the townsfolk's women. Oddly, there's also more crosses in this version, including a makeshift one (a gimmick reused ad nauseam in the sequels), which Van Helsing employs in the special-effects-laden climax, to trap the vampire between him and a "Nosferatu"-style sunbaked fate. A bit limp for a red-blooded Dracula.(Mirror Note: No mirror shots. The only mirror isn't used for a through-the-mirror shot; it's merely for Jonathan to examine his bite mark.)

marshrydrob Hammer Horror's remake of the Dracula film.Like Bela Lugosi, Christopher Lee Portrayed Dracula; with a style that is his own. While Lugosi used method acting to suggest the drinking of blood from Dracula's victims; Lee had the chance to show fans of classic horror: the fangs of the character, that are continually used to this day.The Horror of Dracula is a retake of the Dracula film, that is taken from the Bram Stoker novel: Dracula's guest. Johnathan Harker, out to slay the nightmarish prince of darkness in his own home, must escape from Dracula to save the woman he lovesPeter Cushing makes the perfect Abraham Vanhelsing, in this classic match-up of memorable acting talent.The Horror of Dracula, like many of Hammer Horror's other titles in the series; is the best of the best.Great film, and an even better talent.

Richie-67-485852 Yes to this movie if you are a fan. It captures the theme quite nicely and as a bonus we get to good movie stars to play important parts making this entertaining. The movie travels along nicely and keeps the viewers interest no problem. I am currently reading the book by Bram Stoker and highly recommend this to all fans of the subject matter. I don't mind telling you that when I was a kid, I thought those two little holes in the neck were made by those fangs and then the fangs functioned as straws slurping it all up. Just recently I was surprised to find out that those fangs are puncture type tools and that a process similar to giving one a hickey pulls the blood out. It changed my whole perspective watching these movies with this new knowledge. So the fangs are not straws but sort of like a can-opener LOL. I like eating while watching movies but go lightly here as well as on the drink too. Good snack movie however. I enjoyed the sound track when the Count shows up. It sets the mood quite nicely. The Horror of Dracula delivers...enjoy