Solidrariol Am I Missing Something?

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Scott LeBrun Writer / director Jack Hill follows up his Women In Prison classic "The Big Doll House" with this savvy send-up of the genre. It's fast paced and consistently amusing entertainment with everybody in fine form, including Hill and his winning actor combo of Pam Grier and Sid Haig. It's appropriately trashy stuff as we get an eyeful of our attractive female cast and get generous doses of sex and violence.The stunning Anitra Ford ("Invasion of the Bee Girls") stars as Terry, a promiscuous young woman who's been with some important men. She gets caught up in a robbery staged by Blossom (Grier) and Django (Haig), and is assumed to be in on the whole thing and sent to prison - a typical prison for this sort of thing with sadistic guards and a maniacal warden (Andres Centenera) and a towering wooden structure (the "big bird cage" of the title) in which the prisoners are forced to risk their lives as they process sugar. Soon, however, Blossom and Django infiltrate the prison in an ambitious attempt to help the convicts break out.This is highly enjoyable stuff, and the sense of humour helps make it go down very easily. The actors are a treat to watch, especially sassy and sexy Grier and the always entertaining Haig. The ladies playing the prisoners include Candice Roman as the tough talking Carla, Teda Bracci as comedy relief character "Bull" Jones, Carol Speed as the feisty Mickie, and Karen McKevic as the Amazonian fighter Karen. Lovers of Filipino cinema will also relish the appearance by Vic Diaz (a very familiar face in this sort of thing) as one of the guards.Hill and his editors keep the movie moving along nicely, and building towards the inevitable big breakout sequence which is wonderfully rousing. Our hottie inmates are people we can root for while we also enjoy hating the villains. Along the way there's time for mud wrestling and some great laughs as Haig pretends to be gay in order to get close to the guards. The most ridiculous but riotous scene has McKevic smearing chicken fat over her naked body so she can slip past people in order to get her hands on Speed, who's been teasing her.All in all, this is a real hoot of a movie, and a refreshing artifact from a time when filmmakers weren't about to worry about being politically correct. Highly recommended to anybody who loves Pam Grier, Sid Haig, Jack Hill, and Women In Prison pictures in general.Eight out of 10.

Scarecrow-88 In one of those jungle prison camps, females are forced into hard labor, working within the "bird cage" of the title, an elaborate sugar mill. Sid Haig and Pam Grier are revolutionaries who rob from societal fat cats, soon finding themselves within the prison labor camp causing a revolt against maniacal warden(Andres Centenera) and his host of homosexual male guards(..including a hilarious turn by Vic Diaz).The center of my attention was the incredibly yummy Anitra Ford, a stunning beauty whose character has a reputation notorious for her sexual involvements with various political leaders..she's deemed a threat whose knowledge is a threat. She seems to have no fear or nervousness about her current situation due to her confidence in getting out of captivity. While Pam Grier is recognized as the star, she often plays second fiddle to Ford because her role doesn't really make a certain impact until getting herself purposely put in Zappa's(Centenera)labor camp, where she forges the girls together in a planned rebellion, tired of their superior's tyrannical ways and slave labor. Teda Bracci is the leader over the girls until Grier challenges for authority / supremacy and secures the role. Candice Roman and the statuesque Karen McKevic supply extra eye candy as other white girls who found their ways into this camp. Carol Speed is the feisty(..she has a mouth that often gets her into heated situations where she runs and squeals when potential harm could come to her)token black girl of the bunch until Grier comes along..her fate when the mill breaks down, in regards to needed repairs, is horrifying. Marissa Delgado is Rina, a nutty prisoner Ford befriends and helps along the way.The mill is essentially a tower with a wooden skeletal frame, gears moving in proactive fashion, the girls keeping it running through blood, sweat, and tears...in the shape of a bird cage, this was designed by Hill's father. You get everything the women-in-prison genre offers in unique ways. There's the shower, cat fights, explosive finale with shootouts and violence, sadistic bonkers warden constantly shouting(barking orders), women yearning for the touch of a man(..poor Vic Diaz gets balled at the end!), attempted escapes, torture towards our heroines, and grim conclusion(..few make it out alive).Haig and Grier are superb together and have marvelous chemistry(..they're mud fight where Haig hits her across the ass with a dead duck is hilarious). Haig's posing as a gay man to gain access inside the labor camp, actually getting hired as a guard because Diaz wants to ravage him, had me in ribbons. The beautiful Phillipine locations compliment the lovely women quite well..and, best of all, the girls are outfitted in short shorts and shirts tied off above their wastes, so that we can lustfully gaze at their impressive figures throughout.

Justin Kelly In the 70s, a popular exploitation sub genre known as women in prison produced low budget schlock after low budget schlock. Somewhere in the shuffle, there were a few enjoyable gems. Pam Grier (The L Word, Jackie Brown) seems to have a lock on these, as her "Women in Cages," "The Big Doll House," "The Arena," and this one, "The Big Bird Cage" all seem to be the most fun. I'm sure Roger Corman is to thank for these hilarious movies as well.There really isn't much to the plot. A bunch of broads are in a prison and used as slave labor. They are trying to get out. They have some in fighting and it usually involves mud. The guards are gay stereotypes. Pam Grier doesn't take any crap. Sound like your cup of tea?If you go into this movie expecting "The Godfather," you may not enjoy it, but if you are looking for an enjoyable flick to catch, this is the one. Pam Grier and Sid Haig(The Devil's Rejects) steal the show here, as their over the top performances anchor the rest of the mostly there to exploit, but serviceable cast. If you like your women in prison exploitation films to be more bouncy fun and less disturbing torture, I highly recommend you start here. If only they still made flicks like this.

poomyatta This was the third women in prison (WIP) movie produced by Roger Corman's New World Pictures within just two years, beginning with THE BIG DOLL HOUSE and WOMEN IN CAGES, both released in 1971. In spite of the similar titles, there's no narrative connection between BIRD CAGE and DOLL HOUSE, though the films were later shrewdly retitled `Women's Penitentiary I' and `II' by distributors who hoped each film would capitalize on the other's popularity. Director Jack Hill, who also helmed DOLL HOUSE, says Corman hired him to make a sequel, but since the WIP genre had already become formulaic and predictable, Hill played up the humor and delivered a parody instead. Like DOLL HOUSE, the film features Pam Grier and Sid Haig in prominent roles and was shot in the Philippines. This time, Hill makes much better use of both actors as well as the beautiful locations.Perhaps the movie is best ed as the screen debut of Anitra Ford, the exotically beautiful model who turned quite a few heads as well as price tags on television's THE PRICE IS RIGHT game show. She plays Terry, an American tourist visiting a Central American banana republic where her indiscreet flirtations with the prime minister get her in trouble with the governing party. She's sent to a bamboo shack prison for women staffed exclusively by gay guards and centered around a towering, archaic-looking sugar cane mill, the `big bird cage' of the title. The warden (Andy Centenera) designed the structure himself and is more than willing to sacrifice a few of his charges now and then to keep it in working order. At one point, an unfortunate prisoner is crushed to death when she's forced to crawl under the contraption to reposition a gigantic, misaligned cog. Prisoners who lose their wits are permanently confined in a cage for `crazies' while those who attempt to escape are tracked down by attack dogs. Regardless, Terry makes a run for it and nearly gets gang raped in the process. When the effeminate head guard Rocco (Vic Diaz, who has been called `the Peter Lorre of the Philippines') catches up to her as she's being molested by half a dozen local men, he dryly comments, `Why doesn't that ever happen to me?' As punishment for her attempted escape, Terry's left hanging from a rope tied to her long, dark tresses. Talk about having a bad hair day!The other inmates are the usual batch of rag tag stereotypes. There's the butch top dog (Teda Bracci), the sex starved nymph (Candice Roman), and a pathetic new kid (Marissa Delgado) who's befriended and championed by the heroine. The most original character is an Amazonian lesbian (Karen McKevic) who's supposedly so violent she must be chained to her bed, though she looks more like an unusually tall anorexic. She seems to have been included strictly for laughs: in one especially silly scene, she smears chicken fat over her body hoping to slip past her other cell mates so she can get her hands on a teasing tormentor.Curiously, the most entertaining parts of the film don't involve the prisoners but rather a nearby group of revolutionaries led by Blossom (Grier) and Django (Haig). Neither actor has ever been more appealing in any role and they work brilliantly together. In the opening scene, they pose as musicians in a local band to burglarize a seedy nightclub and Grier actually sings on the soundtrack. Later, they wrestle in the mud before kissing and making up. As they noisily make love in a hut, another bandit ruefully comments, `What an army we could raise if we only had a lot of women.... Where could we find [so many] women to steal?' Thus are the unlikely seeds of a prison break sewn!Haig is hilarious in the scenes where Django `camps it up' flirting with the guards to weasel his way into the prison staff and Grier leads the eventual riot with her usual gusto. The film features lots of action including a fiery finale. There's also quite a bit of nudity, though unfortunately only a few brief glimpses of foxy Ms. Ford in the buff. She shows a bit more skin in her next two films, INVASION OF THE BEE GIRLS and STACEY (both 1973).