Scanialara You won't be disappointed!
Laikals The greatest movie ever made..!
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Benedito Dias Rodrigues I really love this kind of movie,even agreeing with mostly IMDb's reviewers about this sequel,l enjoy every minute,Ferrigno is really a bad actor as showed in Hulk,all special effects are outrageous funny,but the girls light up the scream,in final the producers used a footage from George Pal's Atlantis the Lost Continent,at least they shooting in several old Roman ruins along the picture,so bad and so delightful....the old FX tricks is a shame and laughable,but everyone has to it this fully expected!!! Resume: First watch: 2017 / How many: 1 / Source: DVD / Rating: 5
utgard14 More cheesy badly-dubbed greatness from Cannon. This sequel to the classic Hercules has our hero and his humongous pectorals out to recover Zeus' stolen thunderbolts. To do this he must fight guys in ghillie suits and creatures created with poor computer and stop-motion effects. A full day's work for Herc.Lou Ferrigno is certainly a physical sight to behold and his stone-serious facial expressions at all times makes the movie that much more hilarious because it does not deserve to be taken seriously in the least. Unfortunately, sexy Sybil Danning does not return from the first movie but there are still some scantily-clad Italian babes to feast your eyes on. The special effects are cheap but charmingly so. Love the obsession with neon. The stop-motion Medusa appears to be made from Play-Doh. Lots of bad but quotable lines coming from voices that are clearly not those of the actors. Look, it's glorious garbage of a movie but there's a good deal of fun to be had laughing at it. I'll take unintended entertainment over no entertainment any day.
Movie Buff If you are in the mood for an old fashion cheese adventure, then why not Hercules 2?Many people stated that Lou Ferrigno acted badly, yet everyone failed to notice that they are not even using his voice for the movie. They dubbed in someone else for his voice.It also seems as if they may have dubbed in other characters voices too. If you pay close attention, you can see the audio is a bit off.There is a lot of action and older special effects in this movie. There are many different characters and adversaries.And hey, at least it's widescreen. :-)
lost-in-limbo This cheap-jack follow-up to Luigi Cozzi "Hercules" is just as goofy and tacky, maybe even more than its predecessor. Actually it is. No doubts. Again the clunky sci-fi elements (for science!) finds its way into the Greek mythical adventure… which means good times ahead ("He uses science against godly powers"). That's belly-laughs. Lou Ferrigno returns as Hercules, again bringing the fitting qualities for the role and also being resurrected is King Minos who's played with even more energy again by scene chewing William Berger. Their final climatic showdown has to be seen to be believed… it might be lousy in the outcome, but the light-show (filled with a snake, dinosaur and gorilla) it bestows is bewilderingly stupid. But in the end, this is its charm.Simply the story follows Hercules being sent to earth to retrieve the Seven Thunderbolts of Zeus, which have been stolen by renegade gods. There he must face certain challenges, while also dealing with an old nemesis King Minos and racing against time as the earth and moon are on a collision course.Everything here is junky and ludicrous with vividly low-rent set designs, clumsy, but bright optical effects with trip-out side-effects, lame sound effects and eccentric plotting with devious scheming. It's one set-piece after another, as monsters and obstacles enter the fame throughout the journey. Some of these challenges are not much of one, but others are more so. However there's always a laugh there either way. Be it the encounters with the cheap make-up FX, random dramatics and the funny, no frill dialogues. The short running time makes it easier to enjoy, Pino Donaggio composes again by chipping in with another barnstorming music score and director Luigi Cozzi's ham-handed, but physical approach really outdoes itself.
