Tedfoldol everything you have heard about this movie is true.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

FrogGlace In other words,this film is a surreal ride.

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

mande-52712 I can't believe out of all the reviews I read through, and some were from Texans, that no one mentions; or wonders where the hell camels are in Texas other than a zoo. Who do u know with a barn that has a camel in it in Texas? I thought this was the funniest moment of this movie.And one review mentioned someone in the production crew had a fair understanding of TX folklore. Hahahaha.

johnharrold The performances are excellent. I did not even recognize Olivia D'Abo.It would be impossible to explain the plot of this film, and that is one of the reasons why I like it so much.The film touches on the importance of family ties, without being sappy. It touches on the the importance of forgiveness, without being preachy.It has plenty of "quirky" characters and situations, but not so much as to make them ridiculous. That is not to say that they are not absurd, and that is a good thing.It is not a ghost story as some synopses might cause one to believe. (Albeit, I might not have watched it if it were not for my being given that idea from a Comcast blurb.) I recommend A Texas Funeral to anybody who likes films that have plots that are difficult to detect in which direction they are going to go, but are a joy to follow.

kencomer "A Texas Funeral" could have been better, but there wasn't anything resoundingly bad about it. It was a quirkily comical view of a family reunion brought about by the death of the family's atriarch, and the characters had an authentic 1960's Texas flavor to them.Everyone except grandma had at least one moment of personal revelation, and everyone got something good out of the deal. It was a pretty "feel good" kind of movie, and it was sufficiently funny to compensate for its lack of depth.If you see rent this on video as an excuse to eat hot buttered popcorn, you won't be disappointed. If you are expecting great cinema, you will be.

rbreen An entertaining but overwrought exercise in American Baroque, the best way to describe this film is to say that it begins in David Lynch territory, rambles through Tennessee Williams country, and was last seen heading dangerously close to Waltons Mountain. Set in Texas in the late 1960s, the plot - dark secrets emerge when a family gathers for a family funeral - is hardly original, and while the Texan self-image comes in for some welcome satire, the cosy self-satisfied way in which the whole thing is tied up at the end would have a serious dramatist like Tennessee Williams spinning in his grave. Martin Sheen is much too decent to play the wicked old patriarch, and while any film that includes Joanne Whalley, ear-sucking, and camels can't be entirely bad, this is not a good ment for any of them.