Hellen I like the storyline of this show,it attract me so much
Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to what it was like to watch it for the first time.
Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.
guy-bellinger « Songs My Brothers Taught Me » invites you to discover life in a Native American reservation, namely Pine Ridge Reservation in South Dakota. But definitely not in a superficial way: you will not find yourself on the side of a dusty road buying Indian trinkets and other souvenirs before having a couple of pancakes at the local restaurant and inserting a few coins into a slot machine at the local gambling house. No, this is real life indeed; and by real I mean drab, monotonous, without scope. Not that such a life is not worth living at all : the hero, Johnny Winters, a young Oglala Indian, does experience a few good times: in his final year of high school, in company with his thirteen-year-old sister Joshaun who is very fond of him and naturally with his beautiful girlfriend Aurelia. But apart from social or personal intercourse, there is not much to do or to hope for in Pine Ridge. As far as employment is concerned, now that he is graduated, our young Native American struggles to get by while accommodating his mother and sister. A weak income earned from selling alcohol, not only a menial job but an illegal one into the bargain since drink is banned on the reservation's grounds. A better position is out of the question, the opportunities within a reservation being close to zero.The only hope for him to make a decent living is to get away from his place of birth. To this purpose he plans to accompany Aurelia to Los Angeles, where she is to further her studies. But that will mean leaving Joshaun behind. And the question is: will the sensitive little girl cope with the ordeal? And how will Johnny manage to square the circle?As can be seen, a psychological side adds up to the sociological interest. Also the writer of the script, Chloé Zhao masters this dimension brilliantly. The characters (Johnny, his sister, his mother, the tattooist...) are as well drawn as is the aspect of life in the reservation. And the young Oglala's questions and expectations as well as his moral dilemma are examined in depth. Which makes this film a full immersion not only in the everyday life of a seldom shown environment but also a plunge into the psyche of several of its inhabitants. Very well interpreted by John Reddy as Johnny and the touching Joshaun St. John as his loving little sister, Chloé Zhao's movie could qualify as a masterpiece were it not a few defects: a rather disorganized, improvised approach and one or two tedious ages. But it is a first film after all and that should not be enough to deter you from watching this rare foray into a territory little seen on the big screen, thus getting to know worthwhile people you would be unlikely to meet in the flesh in real life.
ReganRebecca First time director Chloe Zhao takes her cues from Terrence Malick in this beautiful portrait of two siblings on the Pine Ridge Res. DeShaun is the youngest of two full biological siblings, taken care of by her older brother Johnny, who is about to graduate high school. A 3rd full sibling, Cody, is imprisoned, while the siblings' mother doesn't quite seem up to the task of taking care of any of her children. As graduation approaches Johnny faces a difficult decision; stay on the res where opportunity is limited but where he can take care of his sister and mother, or leave for L.A. where he knows no one and has nothing, in order to follow his girlfriend who has a full ride scholarship and who will be living in the dorms at school. There's not a huge amount of plot outside this main conflict and the characters mostly amble in and out of situations and conversations with very little narrative threads connecting them. But Zhao remains committed to capturing the joys and hardship of residential life where everyone has to hustle for money but beauty, friends and family are everywhere to be seen.
Em Sojourner This is a stunningly true to life and tender movie. I had just watched Sky, in which Native Americans and their connections with a white woman were portrayed through the lens of a European romantic fantasy about NA life in America. Songs was the opposite - unsentimental, unsparing and filled with beautifully understated acting that let the story breathe. The photography was exquisite - I know that country and found myself longing to be there. The ragged weave of the story was precisely how life is lived by so many of us - no big epiphanies, no smarmed up resolutions, no miracles except for how people can hold fast to love. I thank the film-makers for their deep respect for the people and their recognition of the way the land is the base of hope for far too few of us.
rebtguy-39674 I enjoyed the film, a contemporary portrait of growing up and coming of age in America in a very different setting and culture than most. Early on, the movie gave me the distinct feeling of watching a documentary rather than a fiction with rehearsed actors. Images tell the stories as much as the dialog, which is very spare. The characters seem very real, as real as their scruffy surroundings. A worthwhile portrait of a part of society most of us won't see, "really" see. The Badlands scenery is very stark and so are (most) of the lives depicted. It's interesting that I saw this film in a contemporary arts center, where it played for two nights. It seems films like this struggle to get on enough screens in enough places to get noticed much. Maybe some people will get to see in on video, I hope.
