Supelice Dreadfully Boring
Jenna Walter The film may be flawed, but its message is not.
Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
PeachHamBeach WARNING: SPOILERS ON THE EDGE is an interesting piece about teenage depression and suicidal behavior. It begins when Jonathan (Cillian Murphy) loses his father to alcoholism. You don't understand Jonathan at all when you first meet him. He comes off as callous, self-centered and unlikeable until he grabs the urn with his father's ashes and decides to drive himself, in a stolen convertible, off a cliff. Is it an abrupt decision, spur of the moment, or is it something Jonathan has been contemplating for years? The only alternative to jail time is to participate in a residential suicide program in Dublin, run by Dr. Figure (Stephen Rea) so Jonathan agrees to it, though he doesn't believe anyone has answers or solutions for him. As you get to know him, you realize that Jonathan himself doesn't understand fully why he's so depressed and suicidal. You learn that his mother died when he was ten, and that there is a history of depression in his family. He has a rocky relationship with his older brother Mikey, who is the only family he has left.In the treatment center, where patients are required to wear pajamas instead of street clothes (Jonathan is given an especially rib-tickling set!) Jonathan becomes close friends with two other suicidal teens Toby (Jonathan Jackson, whose Irish accent was very good IMO) who accidentally killed his brother in an accident, and the very disturbed Rachel (Tricia Vessey) whose creepy sexiness Jonathan can't help but feel drawn to, even when she is abusive to him. Though Dr. Figure coaxes a lot of revealing stuff out from Jonathan's mind, it is his relationships with Toby and Rachel that assist him in taking a look at his life, and lead him to become a person who cares about people instead of being so self-involved all the time.The beautiful, doe-eyed Murphy does another fantastic job vanishing into a character who hides his vulnerability behind a facade of sarcasm and toughness that Dr. Figure can see right through. Jackson gives a heartrending performance. Vessey is impressive too, lending a very "L.A., California" vibe to this otherwise quite Irish story. I'd like to see more of her work. I would have said that I might like further explanation about Jonathan's history of self-cutting (You don't see any scars, but he spends most of his screen time in long-sleeved pajamas, sweaters and coats) and about Rachel's fascination with human blood. There are two semi-sexual scenes that are so bizarre they defy description. But I guess the whole point is that these behaviors can't be categorized or explained neatly. Every case is individual, and the doctors never know if treatment will be effective.Bittersweet is the word that best describes the overall tone of this film. John Carney did great with direction, but also composed the original music score that enriches many scenes. The film ends on a fairly upbeat note, but there is a nagging worry about whether these young people will really be able to keep surviving.I liked it.
stormfrog This is not what you would call an average Irish film where ordinary people fight poverty, or kids gets dragged into nasty criminal business. The film seems to have gotten some bad reviews and I can only guess that this is because these people did not look hard enough. As the saying goes; 'the truth lies in the eyes of the beholder'. No, this film features something completely and utterly different. The film circulates around trust and what you can and what you can not do for a person depraved of the will to live. It touches the subject of trust very elegantly. Both romance and friendship is a part of the film, they do not take a leading purpose of the story but are always present in the background.I was awestruck by the beauty of this film, it struck the bullseye of my heart. I am guessing that if you have ever known a very depressed soul this movie has a lot to teach you.
kellyebt If Cillian Murphy had only one movie role to identify himself by, On the Edge should be it. You could almost feel the energy coming off his slender body in waves as he strode through the scenes, wise cracking one minute, driving a BMX off a cliff the next. In this story of Jonathon Breech, a young Irishman's battle with death, depression, and love, my only beef came with Jonathon Jackson's accent. It wasn't terrible, but it was enough to make me cringe a few times when I'd rather have concentrated on Cillian's ice blue eyes, Cillian's deep Irish brogue, Cillian's large, working man's hands... Well-known for playing mentally off-kilter roles, Cillian Murphy is one of those blue-eyed actors (Paul Newman, Robert Redford) who can emote with stillness. There were times when the soundtrack in this film seemed to dominate, catchy teeny-bopper gingles gangling in the background, and then the camera light would catch a certain nuance in his face. It was like seeing a window opened. If you're a romantic, this one is worth renting.
carrierdodson After seeing this film's premiere at the Galway Film Fleadh, I cannot wait for it to be released in theatres. The acting is exceptional, especially on the part of Cillian Murphy. John Carney's direction is innovative and hopeful, and his free use of camera movements, angles and extreme close-ups adds so much to the depth of this film. Finally, the soundtrack is essential to the emotional impact of the movie. All in all, a versatile and funny film that is optimistic without nearing sappiness.
