Diagonaldi Very well executed

Cathardincu Surprisingly incoherent and boring

Smartorhypo Highly Overrated But Still Good

Phonearl Good start, but then it gets ruined

classicsoncall This is a bit of a change of pace for a Western. A spinsterish schoolmarm (Anne O'Neal) declares a running feud with saloon owner Mawson (John Parrish) about to open a new establishment right across the street from her school. When Miss Abott breaks the windows of The Golden Mill, Mawson naturally assumes it was done by Davis (Cliff Clark) of the rival Big Dome Saloon. Right there a big old question mark arose in the story for me - why wouldn't Miss Abott be opposed to both gin mills instead of just Mawson's? The Big Dome was just down the street from the one about to open.Well I guess one wasn't supposed to wonder about things like that. Hopalong Cassidy (William Boyd) and his pals Lucky Jenkins (Rand Brooks) and California Carlson (Andy Clyde) arrive in town just in time to help settle things down before they get too riled up. There's a nice scene of Hoppy interacting with the school kids, and the youngsters have a fine time propping up a dunce cap atop California's head when he falls asleep watching the classroom.Meanwhile, Miss Abott is kidnapped by Davis's henchmen with the dual objective of blaming it on Mawson and getting his potential competitor to close down. As Hoppy gets to the bottom of the real high-jacker's identity, Miss Abott thwarts a shootout between Davis and Mawson when she targets one of her trusty apples at Davis's gun - talk about an apple a day!Well it's always interesting to catch an old Western like this where the story doesn't revolve around your standard rustling or mineral rights issue. The inclusion of Miss Abott as a surprisingly refreshing comic figure was an added bonus, and I had to chuckle over the way she characterized the three R's the saloon owners brought to town - 'rye, rabble and roulette'.

Paularoc Miss Abbott (Anne ONeal) is a schoolteacher who is having a running battle with saloon owner Steve Mawson (John Parrish) over the proximity of his saloon to the schoolhouse. Hoppy goes to see the teacher after he catches her breaking the windows in Mawson's saloon by heaving apples through them. Abbott is the stereotypical curmudgeonly, yet curiously likable old spinsterish teacher. Sometimes the ing actors get all the best lines. After Hoppy introduces himself as Hopalong Cassidy, she tells him "I can't do anything about that, why don't you change it." He informs her that Hopalong is a nickname and that his real name is Bill, so of course she calls him "William" throughout the movie. She also gets in another zinger later when – after she has hit a bad guy – Lucky tells her "You sure knocked him out," she says, "That's nothing, he was unconscious fifteen years ago when he was a student of mine". After the apple-throwing incident, the teacher is kidnapped. Both California and Hoppy briefly look after the school children. Hoppy's scenes with the children are delightful and a highlight of the film. The ending of the film had a nice little twist to it. I agree there's not a lot of action in this film but it is an engaging, funny and quite charming film. As one reviewer said – it's all a matter of taste.

dougdoepke This entry in the Hoppy series is pretty much a matter of taste. There's not much hard- riding or fast-shooting; however, the Lone Pine locations do provide some good big rock scenery. Also, the plot's a little different. Saloon owner Mawson is feuding with both rival saloon owner Davis and with schoolmarm Abott who can't teach with a saloon next door. When Abott mysteriously disappears, Hoppy and the boys investigate. The entry may be a little short of action, but the dialog and interplay between characters is better than usual. Anne O'Neal is excellent as the spinsterish schoolmarm with several good throwaway lines— (On their first meeting), Hoppy, "My name is Hopalong Cassidy". Schoolmarm, "That's not my fault. Maybe you should change it !". The ending is also something of a departure and surprise. Then too, I suspect the series was aiming for both a change of pace and a story more directly involving kids (here, it's the amusing school kids). Lucky (Rand Brooks) has his usual mock romance, this time with a dimpled saloon girl (Chapman). Nonetheless, I think the series lost a lot when Russell Hayden withdrew from the cast as Lucky. He was so good at being moonstruck in these romantic situations.Anyway, this rather offbeat 60-minutes in the Hoppy series is short on action but long in other departments, and remains largely a matter of taste.

rsoonsa Completed during the final year (1948) of Hopalong Cassidy feature film-making, this effort unsuccessfully blends humour with a customary action element, relating of quarrels among a crusty schoolteacher and two rival saloon owners, with Hopalong (William Boyd) and his two sidekicks, Lucky Jenkins (Rand Brooks) and California Carlson (Andy Clyde) finding themselves trying to mediate the various conflicts while Hoppy and California fill in for the schoolmarm (Anne O'Neal) who has been kidnapped as punishment for breaking saloon windows with apples. Produced by Boyd for United Artists and filmed in California's picturesque Inyo County, the work fails to maintain a consistent tone and, although the cast provides good performances from veteran ing players Byron Foulger, Earle Hodgins and Cliff Clark, tepid direction from generally reliable George Archainbaud, along with very sloppy editing, leave their markings; there is, however, a nifty score by Darrell Calker who composed for many "B"s, and always adroitly.