Ironside

Ironside 2l66h

1967
Ironside
Ironside

Ironside 2l66h

6.9 | TV-PG | en | Drama

When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.

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EP1  Raise the Devil (1)
Sep. 12,1974
Raise the Devil (1)

A woman is killed in a locked room, and her daughter Susan confesses to the murder after apparently becoming possessed by the spirit of her long-dead younger brother. The Chief enlists a psychic to help him in his investigations, but the clues that she offers him seem to confuse more than they assist.

EP2  Raise the Devil (2)
Sep. 19,1974
Raise the Devil (2)

The Chief links his case with a psychiatrist, who turns out to be a psychopath with a ion for brainwashing. Before he can get his evidence together, however, Fran is taken as the next victim of the doctor's peculiar brand of therapy, and is programmed to kill Ironside. Meanwhile Susan has to face past guilt over the death of her brother before she can be safe from herself.

EP3  What's New with Mark?
Sep. 26,1974
What's New with Mark?

Mark and his girlfriend come across a murder whilst on a date, but decide to defend the killer when it transpires that he acted in self defence. During the case the pair get married, and Ed decides to move in with the Chief in Mark's place.

EP4  Trial of Terror
Oct. 03,1974
Trial of Terror

We don't have an overview of this episode, please check back later.

EP5  Cross Doublecross
Oct. 10,1974
Cross Doublecross

When somebody takes pot shots at Fran's hot-headed cop boyfriend, he soon comes under suspicion for a handful of assaults and two murders. All the trouble seems to be linked back to a case he investigated with his one-time partner, now turned private eye; but is it a case of cop-turned-bad, or is it something else?

EP6  Set Up: Danger!
Oct. 24,1974
Set Up: Danger!

When Ed returns from a holiday he finds the Chief missing, and a series of obscure clues pointing to the suggestion that he has been kidnapped. In truth Ironside has been waylaid by an old enemy, a mobster seeking his help to solve a murder, but a gang war is brewing and the Chief needs his team to find him in time to stop it erupting unchecked.

EP7  The Lost Cotillion
Oct. 31,1974
The Lost Cotillion

A series of murders appear to be connected to an old friend of the Chief's, an ageing woman from San Francisco's old rich set; and when the murders are linked to her debutante's ball and she appears to be exhibiting signs of deteriorating mental health, the odds look stacked against her. As always, though, the Chief looks elsewhere to find the truth.

EP8  Run Scared
Nov. 07,1974
Run Scared

The Chief's god-daughter witnesses a murder whilst performing in a street-side harlequin show. On the run from the murderer, she and her boyfriend remain one jump ahead of Ironside's team; but there is an added dimension to the case which the Chief cannot at first hope to guess at, and a further reason for his god-daughter's desperate flight.

EP9  Act of Vengeance
Nov. 14,1974
Act of Vengeance

A convict awaiting parole hears that his son has been shot dead following a clash with a rival teenage gang. Although eager for vengeance he has another son to think about, and the Chief is determined to keep them both on the straight and narrow, whilst at the same time finding out who really killed the boy.

EP10  Far Side of the Fence
Nov. 21,1974
Far Side of the Fence

After the killing of one of his men, gangland boss Lew Parker puts out a contract on Ironside, which the undercover Ed is forced to pick up. Unable to the rest of the team Ed has to go along with the preparations for a heist, but when his cover is blown and he winds up a prisoner, the Chief and co must find the missing links before it is too late.

EP11  The Over-the-Hill Blues
Dec. 05,1974
The Over-the-Hill Blues

Peter Justin, a gentleman jewel thief and old adversary of the Chief's, returns from a five year stretch in San Quentin and is soon back to his old life. When a protégé frames him for a robbery and murder charge the Chief has to prove him innocent, despite his knowledge that another recent robbery is most definitely the work of Justin alone.

EP12  Speak No Evil
Dec. 12,1974
Speak No Evil

A friend of Ed's becomes the target of an assassin, but cannot shed any light on the reasons for the attempt on his life. When Ed discovers that his friend is a priest, prevented from speaking by the bounds of confession, he and the Chief attempt to discover the truth; which soon leads them to three unexplained murders amongst the city's drug dealers.

EP13  Fall of an Angel
Dec. 19,1974
Fall of an Angel

A retired assassin kills the son of a mob chief, and tries to escape town after anonymously leaving his own young son in the care of Chief Ironside. The Chief soon puts two and two together, and figures out who the boy is; but he still has to find the father, before a major league gangster out for revenge can get to him first.

EP14  The Visiting Fireman
Dec. 26,1974
The Visiting Fireman

A British police inspector visits San Francisco for a conference, and whilst there assists his old friend Chief Ironside with an awkward investigation. It soon appears, however, that he knows more about the case than he should do, and that his involvement may have something to do with his deteriorating state of health.

EP15  The Return of Eleanor Rogers
Jan. 02,1975
The Return of Eleanor Rogers

Ed befriends the daughter of the judge presiding over his latest case, only for the girl to come to him in fear for her father's life. It seems she is overreacting to a series of accidents, but events soon suggest her suspicions may be correct; especially after it turns out that her father's new wife has old Underworld connections she thought she had left behind.

EP16  The Faded Image
Jan. 16,1975
The Faded Image

Ed befriends the daughter of the judge presiding over his latest case, only for the girl to come to him in fear for her father's life. It seems she is overreacting to a series of accidents, but events soon suggest her suspicions may be correct; especially after it turns out that her father's new wife has old Underworld connections she thought she had left behind.

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6.9 | TV-PG | en | Mystery | More Info
Released: 1967-03-28 | Released Producted By: Universal Television , Harbour Productions Unlimited Country: United States of America Budget: 0 Revenue: 0 Official Website:
info

When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.

Genre

Mystery

Watch Online

Ironside (1967) is currently not available on any services.

Cast

Barbara Anderson

Director

Cy Chermak

Producted By

Universal Television , Harbour Productions Unlimited

Ironside Videos and Images 5h3t5i

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  • Top Credited Cast
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  • Crew
Raymond Burr
Raymond Burr

as Robert Ironside

Don Galloway
Don Galloway

as Ed Brown

Don Mitchell
Don Mitchell

as Mark Sanger

Barbara Anderson
Barbara Anderson

as Eve Whitfield

Cy Chermak
Cy Chermak

Executive Producer

Winston Miller
Winston Miller

Producer

Joel Rogosin
Joel Rogosin

Producer

Jeannot Szwarc
Jeannot Szwarc

Producer

Collier Young
Collier Young

Producer

Albert Aley
Albert Aley

Producer

Douglas Benton
Douglas Benton

Producer

Ironside Audience Reviews 4n3q33

SincereFinest disgusting, overrated, pointless
Dorathen Better Late Then Never
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Claire Dunne One of the worst ways to make a cult movie is to set out to make a cult movie.
alexanderdavies-99382 Raymond Burr was a very good actor, he has left behind a memorable legacy from his television work. "Ironside" isn't exactly an exciting or dynamic series. To me, it looks and feels amateurish and too talky. With the exception of Burr, who is very good in the title role, the regular cast are an incredibly dull and boring lot. There is nothing that stands out and it beggars belief that the series lasted several seasons! There are occasional moments of interest but that isn't enough for me. Another problem I found with "Ironside," is that it is studio-bound nearly all the time and that is very disappointing. The writing rarely rises above being ordinary and this reduces the pace of the series a good deal. This could have been a good show potentially but it wasn't to be.
tallguy62 I purchased the complete first season not knowing what to expect out of this old TV show. I was pleasantly surprised because the writing and acting is quite well done. Raymond Burr, like some other actors features a screen presence and charisma that are shared by very few people nowadays. This TV show is no exception -- Raymond Burr was good at playing the character where he was tough as nails on the outside, but a marshmallow on the inside. A particularly good episode showing this talent is "Officer Bobby" from the first season. There is also a fair amount of humor in the script, and it comes across very nicely. The only really "dated" thing about the show is Barbara Anderson's hair -- nowadays it looks really funny.What impressed me partly was how beautiful San Francisco was in 1967. In every episode, they show a portion of San Francisco, and it is stunning! Very different from Columbo or other 70s TV shows that show Los Angeles. Los Angeles is ugly. Every single shot of San Francisco is breathtaking in this series.Plus, there are some VERY famous guest stars in the first season. One is a household word by now. I won't spoil it for you who have not watched these yet. Overall, an excellent series. Highly recommended, even for kids.
roghache I have fond memories of watching this well crafted detective show during my growing up years. The series portrays the story of San Francisco Chief of Detectives, Robert Ironside, who has been hit by a sniper's bullet, paralyzing him from the waist down. Confined to a wheelchair, he must forego his previous detective position but stays on with the Police Department as sort of a consultant. Ironside ferrets out crime while working from a special Police Department office complete with exercise equipment and sleeping facilities. Assisting him is his own special unit, a diverse trio consisting of regular cop Detective Sargent Ed Brown, educated policewoman Eve Whitfield, and black ex con Mark Sanger. During the course of the series Sanger progresses from Ironside's bodyguard to a police officer and finally a lawyer.In this series we see this formerly tough Chief of Detectives endeavouring to nail San Francisco's bad guys, all the while coping quite successfully with his recent disability. The program shows that this previously high profile crime fighter can still lead an equally productive life from his wheelchair. The show reveals his character development as well as his interactions with the trio of assistants, all providing viewer interest in addition to the crime solving elements.Raymond Burr, alias Perry Mason, was born to solve TV crimes! The actor gives a masterful performance here as the wheelchair bound Ironside. This is generally quite an engaging detective series and frankly, I wish that there was more TV programming of its quality these days.
Cue-ball There are precious few actors who can create two successful television characters. More recent examples include Mary Tyler Moore (Mary Richards and Laura Petrie) and Bob Newhart (Bob Hartley and Dick Loudon). In 1966, Burr completed a nine-year run as the most recognizable attorney on television. In 1967, returning to television, his challenge was to create a new character that wouldn't stand in Perry Mason's shadow. The result was Ironside -- a rough, former chief of the San Francisco police forced to retire when an attempted assassination leaves him paralyzed. (The theme music is reprised in "Kill Bill Vol. 1", whenever the Bride flashes back on her paralyzing injuries.) Bob Ironside had none of Perry Mason's polish, frequently spoke without thinking, and enjoyed fast cars as much as he relished good police work. He was given a special task force that included a regular joe beat-cop, Ed Brown (even in the sixties, a more vanilla name was never given a character); a highbrow, educated female detective (Eve Whitfield); and a troubled black youth, Mark Sanger, who was to Ironside what Charlie Young is to President Bartlet on "The West Wing". Instead of the Los Angeles setting of Perry Mason, Ironside was in San Francisco. In addition, while Perry Mason kept the lights on at CBS for nearly a decade, Ironside was a steady performer for NBC for almost as long. The show was an instant critical and commercial success.I think the reason Ironside is not as popular in reruns now as it was in the late 70s and early 80s is it will always be in the shadow of Mason, and that's a shame. The two shows are not the same, and there are many memorable episodes of Ironside. One in particular features Ironside isolated in his apartment, being stalked by a killer, that always reminded me of the climactic scene in "Rear Window" -- in which the killer was played by Raymond Burr! One of my favorite lines of dialogue, from the pilot, was his ribbing of his female detective: "By all means, ask Detective Whitfield. She's had the benefit of a classical education." That line -- which would never have ed Perry Mason's lips -- is a good sample of Ironside's tone through the series.