Law & Order

1990
Law & Order
Law & Order

7.8 | TV-14 | en | Drama

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

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EP1  Catch and Kill
Oct. 03,2024
Catch and Kill

When a Brooklyn prosecutor is found slain in her apartment, Maroun takes drastic action to convince an eyewitness to come forward. Riley struggles to adjust to the new lieutenant in charge.

EP2  The Perfect Man
Oct. 10,2024
The Perfect Man

When the founder of an AI-infused dating app is murdered, Shaw and Riley delve into who would want the love-obsessed man dead. Capt. Benson surprises Price and Maroun when she becomes a witness for the defense.

EP3  Big Brother
Oct. 17,2024
Big Brother

Riley's personal and professional lives clash when his brother is connected to a murder investigation. Price takes a chance on a witness who can testify to a hidden motive.

EP4  The Meaning of Life
Oct. 24,2024
The Meaning of Life

When a bomb goes off in a brownstone, Shaw and Riley must determine which of its inhabitants - an author or fertility doctor - was the target. Price and Maroun try to bring murder charges against the suspect, even though the victim is still alive.

EP5  Report Card
Oct. 31,2024
Report Card

A student is accused of killing his teacher. When the suspect's age puts the case in limbo, Price and Maroun put the school's policies on trial. Shaw's attempts to connect with the suspect backfire.

EP6  Time Will Tell
Nov. 07,2024
Time Will Tell

When the dean of a swanky prep school is murdered, Shaw and Riley must dig into the toxic system of pressure on the students to succeed. Brady’s son asks for a favor.

EP7  Truth and Consequences
Nov. 14,2024
Truth and Consequences

When tragedy strikes the family of a prominent judge, Brady must determine if the murder is connected to any of the judge's rulings. Baxter steps in when a key witness refuses to testify. Maroun tries to protect another witness's privacy.

EP8  Bad Apple
Nov. 21,2024
Bad Apple

After a narcotics officer is shot in the back, Brady returns to her old precinct to investigate the murder. When the suspect's story doesn't add up, she enlists Shaw and Riley to discover the truth.

EP9  Enemy of the State
Jan. 16,2025
Enemy of the State

Shaw and Riley discover a shocking motive after a young man is pushed in front of a train. When the trial hinges on a piece of legislation Baxter wrote, Price must convince Baxter to testify.

EP10  Greater Good
Jan. 23,2025
Greater Good

When a music mogul is found dead, Shaw and Riley clash with an undercover officer unwilling to cooperate. Price and Baxter disagree on whether the victim's reputation could help or hinder the jury's decision in the case.

EP11  The Hardest Thing
Jan. 30,2025
The Hardest Thing

When a wealthy man is executed in his home, Shaw and Riley aim to determine who was greedy enough to want him dead. Price must try a difficult case amidst his father's failing health.

EP12  Duty to Protect
Feb. 13,2025
Duty to Protect

When a teenage girl is found dead, the squad struggles to find a motive without knowing her identity. Price and Maroun must pick up the broken pieces of their case after a shocking courtroom revelation.

EP13  In God We Trust
Feb. 20,2025
In God We Trust

A young lawyer with a secret past is found dead. Price and Baxter debate the pros and cons of prison as a punishment versus alternative justice options.

EP14  A Price to Pay
Feb. 27,2025
A Price to Pay

An actor's foray into experimental drug therapy leads to his murder. Shaw reconnects with a mentor who may hold the key to identifying a suspect.

EP15  Crossing Lines
Mar. 13,2025
Crossing Lines

When an up-and-coming politician is found dead, Shaw and Riley untangle the victim's personal life to identify a suspect. Baxter recuses himself to help Price make the case.

EP16  Folk Hero
Mar. 20,2025
Folk Hero

When a murder suspect becomes an underground hero, Brady seeks help from a former colleague to track down a culprit who seems to be in multiple locations. Baxter, Price and Maroun disagree on the best way forward when public interest heightens.

EP17  A Perfect Family
Apr. 03,2025
A Perfect Family

When a student is thrown to her death, Riley zeros in on a family secret to piece together her last moments. Price and Maroun must rely on the eyewitness of a young child to determine if an unlikely suspect should be charged with murder.

EP18  Inherent Bias
Apr. 10,2025
Inherent Bias

A rising basketball star is shot dead, leaving the squad in a desperate scramble for leads. When the capture of a suspect doesn't go as planned, Shaw and Riley each take a firm stand on what they believe they witnessed.

EP19  Play with Fire (I)
Apr. 17,2025
Play with Fire (I)

A mysterious phone call to Capt. Benson of the SVU leads detectives to the scene of a brutal murder. When the SVU and the 2-7 uncover a pattern of rape and murder targeting marginalized women, Carisi and ADA Price team up to charge the suspect with multiple crimes. The crossover continues on Law & Order: Special Victims Unit S26E19 Play with Fire (II).

EP20  Sins of the Father
May. 01,2025
Sins of the Father

When a car mechanic is murdered execution-style, Shaw and Riley suspect his job was a cover for more sinister talents. As the trail gets underway for the arrested suspect, Baxter, Price and Maroun are faced with who should answer for the crime.

EP21  Tough Love
May. 08,2025
Tough Love

A tough-love sports agent is found stabbed to death, leaving the squad with a trail of suspects who wanted him gone. Despite a wealth of evidence, Price and Maroun worry that a lack of motive will tank their case.

EP22  Look The Other Way
May. 15,2025
Look The Other Way

When a model is murdered, Shaw and Riley believe their suspect may have escalated an obsession to violence. Maroun's efforts to place the suspect near the scene of the crime leaves Price in a bind when the evidence may not hold up in court.

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7.8 | TV-14 | en | Crime | More Info
Released: 1990-09-13 | Released Producted By: Universal Media Studios , Wolf Entertainment Country: United States of America Budget: 0 Revenue: 0 Official Website: http://www.nbc.com/law-order
info

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Genre

Crime

Watch Online

Law & Order (1990) is currently not available on any services.

Cast

Odelya Halevi

Director

William M. Finkelstein

Producted By

Universal Media Studios , Wolf Entertainment

  • Top Credited Cast
  • |
  • Crew
William M. Finkelstein
William M. Finkelstein

Executive Producer

Dick Wolf
Dick Wolf

Executive Producer

Arthur Penn
Arthur Penn

Executive Producer

David Shore
David Shore

Producer

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Whitech It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
mjonlobrovich While this show had been good to me for many years, and would make a good show to marathon on Netflix, this show is simply trash police propaganda, as with all other shows such as this. I will never watch this show, or any show like this, again. While at one time it was good to me and good for me, it's plainly propaganda for the police and other hands of government that I want no part of. That negates anything else this show has to offer. This belongs in the trash and in the past, as do the rest of the shows like this. This is where it all started and where it all is. The major views and problems with cop propaganda are here in full display.
JohnLeeT Upon the debut of Law and Order in 1990, a team of fresh, inspired writers and a truly gifted ensemble of stunning actors brought one of the most uniquely superb dramas to television. The writing was some of the finest that would ever grace the screens in America's homes and the performances would be among the most incredibly memorable ever given before any audience anywhere. The original cast included young actors at the peak of their form and older actors such as Steven Hill who anchored the proceedings with arguably the most consistent brilliance in series history. Law and Order was blessed with an outstanding pool of artists from the New York theater community, actors who would not only contribute a uniquely talented list of guest actors, but guest stars who would give the performances of a lifetime on a regular basis. Week to week, home audiences would be overwhelmed with greatness as one episode after another crashed though formulaic barriers and offered controversial, explosive presentations of shocking power and dramatic excellence. The first half of each show was hardly the usual police procedural as breathtaking crimes challenged detectives to demonstrate the full spectrum of genius offered by the New York Police Department. With no clear-cut border with the second half, the police and District Attorney would work together to bring the criminal to justice in court room scenes more dramatic, suspenseful, and brilliant than any others ever filmed in any medium. In a nod to the realism of this unique series, the District Attorney would not always be triumphant and a guilty, monstrous murderer would escape justice. The public, political, and personal tensions involved in such a high-pressure job were routinely explored with incisive writing and the personal lives of those involved, while rarely touched upon, exploded on the screen when they were sometimes revealed in unbelievable acting and the finest writing television has ever known. Several episodes that offered insights into the characters involve performances never to be forgotten and writing so electric that it seared the emotions of the audience and brought tears to the eyes of millions of viewers. Law and Order is one of those rare accomplishments in televisions that was not only long lasting but consistent in its excellence throughout its entire run. It was appointment television to the very end and the source of several successful offspring, most notably Law and Order: Criminal Intent, that introduced audiences to the acting powerhouse of Vincent D'noffrio as well as one of the most gifted actors in television and theater history, Kathryn Erbe. The often repetitive and tasteless Law and Order: SVU, lacked the inspiration and acting talent of the original but offered many recognizable actors the chance to play against type. However, it is the original Law and Order that made television history in longevity, creativity, performances, writing, and iconic presence. After similar efforts have ed into the cloud of mediocrity, Law and Order will remain the award winning series that lives on as an acclaimed example of the very finest dramas television has ever offered.
dwr246 At one point, I saw Sam Waterston asked in an interview why Law & Order was so popular. He seemed a bit surprised by the question and responded that it was the story lines. While he has a point in that they do come up with some unusual twists and turns in their storytelling, the writers had some big problems in how they developed their characters, particularly Waterston's.The premise of the show is that it depicts the criminal justice system from the view of both the police and the courts. Consequently, the shows always start with the discovery of a crime, usually, but not always, murder. We then follow the detectives (Jerry Orbach, Jesse L. Martin, Benjamin Bratt, Chris Noth, S Epathat Merkerson) as they solve the crime, eventually finding a suspect that they arrest and bring to trial. At that point we go to the DA's office, and follow Executive ADA Jack McCoy (Sam Waterston), a smug and arrogant man who conflates his desires with the law, and winning with justice, and his assistance of the season (Angie Harmon, Alana De La Garza, Elisabeth Rohm) as they work to bring the case to trial. Occasionally the DA (Dianne Wiest, Fred Thompson) gets brought in on the action. Eventually, the case goes to trial, and in the end, a verdict is brought in, although not always the one expected.This is another show that suffers from some really unpleasant characters. While the police detectives are generally a likable lot, and seem to be doing the best they can, once things get to the DA's office, things take a turn for the worse. In general, the assistants are usually likable and comionate people, as was DA Nora Lewin (Dianne Wiest). Unfortunately, once Arthur Branch (Fred Thompson) took over as DA, the DA stopped being quite so sympathetic a character. And the writers are to be congratulated in creating the worst villain ever in Jack McCoy. The only problem is, Jack McCoy is the one you're supposed to be rooting for. And his character, as well Arthur Branch's could have easily been humanized by the occasional mention of a family, a hobby, a favorite cause, anything to make them look as though they cared about something other than only winning their case. As it stands, once the crime has been solved, the show becomes painful to watch.By and large, I find the acting to be pretty good. Dianne Wiest did a nice turn in her time as a DA. Jesse L. Martin was especially good as a detective, and S. Epatha Merkerson was wonderful as the head of the detectives. Angie Harmon did a nice job as McCoy's assistant, and Elisabeth Rohm was outstanding in that capacity. Sam Waterston's Jack McCoy is a puzzle to me, as Waterston is perfectly capable of creating a likable character, even when the character's actions aren't necessarily likable, e.g. in Finnegan Begin Again. However, there is absolutely nothing likable about Jack McCoy, and I'm inclined to think that is the fault of the writing, as I think Waterston could have pulled it off. Worst however, was Fred Thompson, who clearly was playing Fred Thompson. His departure from the show was a blessed relief.Clearly the show was successful, and spun off several equally successful series. I just can't help thinking how much more successful it could have been had they worked a little harder to make the main characters people that you wanted to follow week in and week out.
RevolverConnery You don't have to look far to find quality TV. Law and Order has been doing it for almost 20 years. Forget about CSI and Cold Case and other imitators out there nothing tops Law and Order. Even though recently new characters that have been coming into play (almost the entire cast has changed in just the last 3 seasons leaving Lt. Van Buren and new DA Jack McCoy as the only long standing characters with Detective Ed Green's sudden departure last season)the show is still going strong and is still interesting. Even the reruns are great to watch. There are some episodes that you can really just get into.If you haven't seen it then check it out. It is still one of the best shows out there 10 of 10