The Final Cut

The Final Cut 2t6u33

1995
The Final Cut
The Final Cut

The Final Cut 2t6u33

8 | en | Drama

Urquhart aims to secure his legacy on the international stage, but faces threats both from abroad and closer to home.

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1
EP1  Part 1
Nov. 05,1995
Part 1

Approaching his 65th birthday, Prime Minister s Urquhart begins to see the end of his career. Not that he has the intention of reg anytime soon. He does however hope to establish a legacy, one for the history books and one to provide his pension. For the latter, his wife Elizabeth introduces him to Mr. Nures, a Turkish-Cypriot businessman who will contribute handsomely to the Urquhart Trust if the boundary commission report provides a ruling favorable to Turkish-occupied Cyprus. As for the history books, he's decided to take credit for the peace deal in Cyprus, much to the consternation of the Foreign Secretary, Tom Makepeace. Still haunted by what happened to Mattie Storin, he is also haunted by events when he was in Cyprus as an army officer in the 1950s. An encounter on the motorway lands him in hospital.

EP2  Part 2
Nov. 12,1995
Part 2

Having sacked his Parliamentary Private Secretary, Urquhart casts about for a replacement. At the suggestion of Geoffrey Booza Pitt he gives serious consideration to backbench MP Claire Carlsen, despite the fact that she is carrying on an affair with Foreign Secretary Tom Makepeace. Claire is clearly playing both sides of the fence to ensure her own place in the hierarchy, regardless of what the future may hold. Urquhart decides the time has come to shake things up and forces Makepeace to resign, something his wife Elizabeth isn't sure is in their best interest. He also continues working on his legacies, dropping a good word in the ear of the British judge on the Cyprus boundary . Meanwhile, a young Greek-Cypriot woman, Maria olides, seeks Urquhart's assistance in solving the death of two uncles who were killed in Cyprus in the 1950s.

EP3  Part 3
Nov. 19,1995
Part 3

Having resigned as Foreign Secretary, Tom Makepeace launches a blistering attack in the House of Commons directed not only at the government in general but at the Prime Minister in particular. He then moves across the aisle to sit on the opposition benches. For his part, Francis Urquhart takes it all in stride quite sure of his position and his ability to retain the leadership of the party. As chance would have it, Cypriot nationalists attack the British High Commission in Cyprus and kidnap the High Commissioner thus allowing Urquhart to question the wisdom of Makepeace's constant challenges on the Cypriot peace deal. Makepeace for his part takes up the cause of identifying the killer of Maria olides' uncles.

EP4  Part 4
Nov. 26,1995
Part 4

Not having secured enough votes on the first ballot to retain the party leadership, Francis Urquhart plots to not only keep him in place as Prime Minister but to win the next general election. He is desperate to sur Margaret Thatcher's length of service as PM and decides that to emulate her is likely the best approach: starting a war in Cyprus, his own little Falklands, as he describes it to his wife. It all goes very badly however and the PM's hold on power begins to slip. Claire Coulsen learns that there is a cost to playing both sides in any contest. In the end, it's left to Elizabeth Urqhart to come up with a solution that will ensure the PM's legacy for all time.

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8 | en | War & Politics | More Info
Released: 1995-11-05 | Released Producted By: BBC , GBH Country: United Kingdom Budget: 0 Revenue: 0 Official Website: https://www.bbc.co.uk/programmes/p0114csn
info

Urquhart aims to secure his legacy on the international stage, but faces threats both from abroad and closer to home.

Genre

War & Politics

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The Final Cut (1995) is currently not available on any services.

Cast

Glyn Grain

Director

Ken Ledsham

Producted By

BBC , GBH

The Final Cut Videos and Images 3h7329

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  • Top Credited Cast
  • |
  • Crew
Ian Richardson
Ian Richardson

as Francis Urquhart

Diane Fletcher
Diane Fletcher

as Elizabeth Urquhart

Paul Freeman
Paul Freeman

as Tom Makepeace

Nickolas Grace
Nickolas Grace

as Geoffrey Booza Pitt

Ken Ledsham
Ken Ledsham

Production Design

Les Lansdown
Les Lansdown

Costume Design

Ian Punter
Ian Punter

Cinematography

Mike Vardy
Mike Vardy

Director

Dave King
Dave King

Editor

Tony Redston
Tony Redston

Associate Producer

Michael Wearing
Michael Wearing

Executive Producer

Rebecca Eaton
Rebecca Eaton

Executive Producer

Ken Riddington
Ken Riddington

Producer

Jim Parker
Jim Parker

Music

Andrew Davies
Michael Dobbs

The Final Cut Audience Reviews 20d1r

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?
Smartorhypo Highly Overrated But Still Good
DipitySkillful an ambitious but ultimately ineffective debut endeavor.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
TheLittleSongbird 'House of Cards' is superlative. 'To Play the King' is great. The third series of the trilogy 'The Final Cut' (1995) may be the weakest of the three but is still very good.Everything that made 'House of Cards' and 'To Play the King' is here in 'The Final Cut' and work brilliantly. Unlike the previous two series however, a few parts veer on the improbable and the ending felt unsatisfying in its predictability and not having the punch or clarity of the ending of 'House of Cards' (the ending of 'To Play the King' was the weak link of that series but was more convincing than here). The previous two series are paced a little tighter too. Having said all this, the deviations from the source material again don't detract and the spirit and attention to character and mood detail are present.On the other hand, 'The Final Cut' visually looks wonderful, full of elegance and atmosphere in the design and class and style in the way it's filmed. It's also beautifully scored by Jim Parker with a very memorable main theme, and the direction lets the atmosphere and drama breathe but still never undermines the momentum.Andrew Davies once again also deserves a lot of the credit. The script has dry cynicism, sharp wit, dark bite and class, with some deservedly iconic lines that have since become part of popular culture. The nation's mood is brilliantly captured and the political elements are handled so truthfully and don't feel shoe-horned (it's actually essential here) or heavy-handed. The storytelling is mostly very absorbing, the depth and richness of the previous two series in the trilogy not lost.Ian Richardson is once again absolutely incredible in his best and most justifiably best known role, dominating the whole proceedings with ease. Diane Fletcher has a bigger role in 'The Final Cut' and again shows completely believability in a role that one doesn't see from her usually.Paul Freeman is especially good in , which is mostly pretty solid apart from Nikolas Grace's sleaziness being more over-the-top than creepy.Overall, while the weakest of the three 'The Final Cut' still has a huge amount to enjoy, primarily Richardson. 8/10 Bethany Cox
bob the moo The third in the three mini-series sees FU holding firm to achieve his goal of serving in office longer than 'she' did. A historic peace deal brokered between Turkey and Cyprus is to be his public triumph (and private windfall), although past events (recent and long since past) hold a constant threat of being revealed, while he finds himself surrounded by possible leadership challenges.This final run of episodes manages to keep the core strength of the previous episodes, and for many (myself included) this will be enough to make it work and be worth watching; however this is not to be blind to some of the issues with it. The first for me was that the entire history of FU in Cyprus seems dropped in completely inorganically. Okay I understand we after he has always worked through the deal so perhaps these triggered the memory – but for the viewer we come to this subplot through the memories first. These are quickly followed up by the family seeking the truth (about the very thing FU is now having nightmares about) and as a result it seems like the series is rushing to introduce a plot and get it moving. Once the series gets into its stride, this works better as a backdrop while leadership challenges and political maneuvering is in the fore – which is the aspect I found more engaging.The character of FU and the to-camera addresses remain effective and engaging, but in this case too many of the ing characters and plots are not so well done. The family seeking justice is one example, but cabinet are not as strong and too long is spent on affairs (with a lot of nudity and humping added for what I can only presume is the satirical effect of putting the image of real politicians at it into the minds of the public). These scattered examples of things not working so well do rather limit the series as a whole, but mostly it works. The start does lack sharpness, but I was a bit surprised by some of the lack of edge at the end too – it works but some aspects of it could have been better.Despite the misgivings, and despite it not being at the level of the previous series, it is still an enjoyable end to the story.
welshNick The Final Cut is the last of the House of Cards trilogy and certainly not the best. The problem it had was how excellent its two predecessors were and it is always difficult to put 'three in a row' together. You only have to look at how awful The Godfather III was to see that. So where did it go wrong ?? The first part showed hoe FU became prime minister (excellent) and the second part showed how he crushed all opposition as PM including the Monarch (Almost as good). It was always going to be difficult to follow this up and if there was a dark secret in FU's past, surely one of his opponents would have found it when he ran for PM in the first part, particularly Pat Woolton who was foreign secretary. Well acted, quite a predictable ending, how evil is that wife of his ??? On a more comical note the fact that FU's wife is having an affair with the head of security is verging on the absurd. In its own right, not bad, but it had to much to live up to - well worth watching though but make sure you see them in the right order.
Philby-3 WARNING; SPOILER AHEAD. This mini-series is the final in the three adapted by Andrew Davies from Michael Dobbie's books (the others are `House of Cards' and `To Play the King'. Francis Urquhart (Ian Richardson) has achieved his ambition to be prime minister even longer than Maggie Thatcher (whose memorial he is about to open) and is now contemplating retirement. However, his past is now catching up with him in the shape of his participation as a young man in a long-forgotten insurrection on Cyprus. What's more, his hitherto ive wife, Elizabeth has been getting rather matey with Corder, the security goon.This is the blackest of the series and at times the dullest. The pace gets very slow and when the final bullet comes it is almost a relief. It fits though. As a noted Scottish autocrat, Lord Reith of the BBC once opined, the best form of government is despotism tempered by assassination. Churchill, on the other hand, thought that democracy was a terribly bad form of government, but far better than all the other sorts. Urquhart, the Scottish laird, needs to wear the democrat's clothes even to be a British conservative politician, but is a despot at heart. Mrs Thatcher was successful for many years as the national chief bully, but eventually hubris caught up with her in the shape of the poll tax. `F U' nearly makes it out the door, but alas, he knows too much, and, (shudder) is showing signs of weakness. Perhaps we forget that down through the ages politics has been a bloody business and the genteel veneer of present day parliamentary democracy conceals some pretty rough play.Anyway, the three `Cards' series amount to 600 minutes of great entertainment – much more fun than most airport novels and filled with incident and amusing, if not very original characters. `F U' himself, Ian Richardson, is a joy, and never has better use been made of `direct to camera' acting.