Inclubabu Plot so thin, it es unnoticed.
Konterr Brilliant and touching
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
cinemajesty Movie Review: "007: For Your Eyes Only" (1981)Based on compilation of "007" short stories released by Ian Fleming (1908-1964) published in 1960, Eon productions' staff-screenwriter Richard Maibaum (1909-1991) s forces with executive producer Michael G. Wilson to deliver the most accomplished action script in Roger Moore's era as the character of MI6 spy James Bond. An extraordinary range of exterior locations delivers "007" spreading his wings to be up in the air, navigating a helicopter to dispose an unfortunately-neglected character of "Blofeld" since "Diamonds are Forever" (1971) in a forgettable pre-title-sequence, underwater wreck diving with deep sea robotics, an super-accelerated chase scene at an Italian alps ski resort before an exciting showdown leads James Bond climbing up a mountain top accompanied with his fellow sidekick Milos Columbo, protrayed by highly authentically actor Chaim Topol and actresses Carole Bouquet and Lynn-Holly Johnson in their early 20s, bringing the light and the dark into romantic as erotic play for actor Roger Moore, who in his fifth portrayal as "007" handles it with such understatement at the age of 53 that punchlines as "No Head For Heights" while kicking a contemporary Mercedes-Benz with antagonist's right hand behind the steering wheel of a razor-sharp rocky cliff. These opponents in "For Your Eyes Only" have their skills mainly with hand-to-hand combat, all up front actor Julian Glover as the "007" Hyper-antagonist character of Kristatos stealing a British encryption machine to sell it to the Russian, who stays behind expectations with a minor hostile performance as Michael Lonsdale before him, who gave space-racing Super-Villian Drax in "Moonraker" (1979).Nevertheless "For Your Eyes Only" first-time directed by former-action-editor John Glen becomes a James Bond picture back down to Earth, which stands strong as full-embodied action-thriller quality entertainment. Cinematography by Alan Hume (1924-2010) delivers plain, but well-executed coverage with no surprises in a since 1977 "The Spy Who Love Me" kept CinemaScope (2.35:1 aspect ratio) film format that presents promoted editor John Grover panoramic on-location widescreen photography, live-action stunt work, especially in a stunningly-paced skiing scene, choreographed by Willy Bogner and his associates, plus the fair character close-ups, which holds its suspense to the end, preparing recurring international audiences for more Roger Moore charm, humor and strikes of boldness in two more "007" pictures already in his mid-50s. © 2017 Felix Alexander Dausend (Cinemajesty Entertainments LLC)
templar77099 Not the typical Moore era film. After "Moonraker" the direction taken was more serious and realistic. "For Your Eyes Only" takes a lot of queues from "OHMSS" and I quite enjoyed it. It drags a bit, and surely it could have benefited from a shorter running-time but it still makes for a pleasant watch. Moore is really at ease in the character at this point, and you can see that he's just having such a good time playing Bond. The very well crafted action set-pieces make up for the somewhat thin plot and its interesting to see how the franchise constantly evolved, entry after entry, technically wise in order to remain fresh and appealing. Although not anywhere near greatness when comes to acting, Carole Bouquet still makes for a compelling Bond Girl. The all around cast is quite a good ensemble."For Your Eyes Only" is one of the better Moore films and still holds up as a good action piece up to this day.
tyvek-55370 First, the lead has to have some height, stature. The Greek goddess was as good as a women gets. This is why the franchise suffered trying to adapt to more modern low end times for new audiences. For the year it was really great and watch every 1-2 two years. Classy and excellent manners will always rule. No tattoo's needed. Always looking forward to proper direction in this franchise so it continues and really should continue. The modern day updates should be of the technical content not the human content that always made the series fly so high. The series is an learning experience for more common audience to strive higher in their lives. Not to bring the franchise down to that level. From the most interesting man in the world.
Filipe Neto Directed by John Glen and produced by Albert Broccoli, it has script by Richard Maibaum and Michael G. Wilson, and is the twelfth film in the franchise. In this film, James Bond must investigate the sudden sinking of a British spy ship in Greece and recover a machine that, if it falls into the wrong hands, can compromise the British submarine defense system. To fulfill the mission and prevent the Soviets from obtaining the lost system, the spy will take the help of a girl who seeks to avenge the death of her parents.This is another movie where Bond will protect his country in the context of the Cold War. As seen in "The Spy Who Loved Me", the threat of open war between Russians and Americans was already a situation that both powers sought to avoid, in so-called policy of "détente". In fact, Bond mentions that policy in this film, in one of the final scenes, addressing the Russian General Gogol. This is probably one of the most memorable scenes in this film. In another, Bond scale an almost vertical mountain, in order to get to villain's lair. And how can we forget the famous chase scene where Bond, at the wheel of a disted Citroen 2CV, makes cross-country by the Andalusian hills? In addition to that famous scenes, we must appreciate the good performance of the cast, particularly Roger Moore, which achieved to harmonized well his comic vein with the pure action scenes, showing much more the aggressiveness that he seemed to tempered in previous films. The opening theme, "For Your Eyes Only", sung by Sheena Easton, is also unforgettable.Besides the central cast, inherited from the previous films, and the continuation of Roger Moore in the role of 007, in this film participated Carole Bouquet, in the role of the Bond-girl Melina; Topol gave life to Columbus; Julian Glover represented the villain, Kristatos; Cassandra Harris took the role of Countess Lisl and Lynn- Holly Johnson gave life to the nymphet Bibi Dahl.
