ScoobyWell Great visuals, story delivers no surprises

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Fairaher The film makes a home in your brain and the only cure is to see it again.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

mark.waltz Bud and Lou have their hands full in this Gothic comic thriller where a mad man is on the loose in Hyde Park in London, and no clues are in evidence as to who it may be. Of course the audience knows from the beginning, because with for legend Boris Karloff highlighting this movie and top featured billing, he ends up being the obvious suspect, at least in the audience's mind. He is a doctor of great renown who has a secret life, and as he explains, it is for the good of society. He wants to discover what in the human brain causes mankind to become violent, and with Christmas carols on his mind, wishes peace on earth and goodwill towards men. But Abbot and Costello are soon on to him, however nobody else will believe them.There are several highlights of this delightful follow up to the previous horror spoofs that Abbott and Costello had made, and a double dose of irony and in a reminder Abbott and Costello Meet Frankenstein, there is a scene in a museum where Lou hides out from Mr Hyde while in countering dummies of both Dracula and the Frankenstein monster. Karloff had not appeared in that film, and while he dummy monster looks more like Glenn Strange then Karloff, it is obvious that the Dracula dummy was influenced by Bela Lugosi, only adding a slight goatee to his wax double. A hysterical scene involving a cat and a head all of a sudden tossed by Costello, leads to a scene that had my belly aching in laughter. Then when Lou drinks a person that turns him into a man sized mouse or at least his head, is also very funny, as is the chase sequence where you come the 2nd Mr Hyde, disrupting a pleasant day in a park. All in all, this is almost as good as Abbott and Costello Meet Frankenstein, and definitely the second best in their series of horror spoofs.

TheLittleSongbird Not one of their absolute best and inferior, with the feminist subplot being unnecessary and slowing things down a bit and it does try a little too hard for laughs towards the end. It is however one of their better declining years outings and one of their livelier ones as well. It looks handsome and atmospheric, especially the sets though the film is very competently shot as well. The score is appropriately eerie and jaunty, fitting with the creepier and comedic elements very nicely. The dialogue is witty and the gags on the most part do work especially with in the wax museum and rooftop chase scenes. As well as having comedy, there are some foreboding moments too especially with Karloff as Mr Hyde. The film is solidly directed, and the performances are good. Helen Westcott and Craig Stevens are just okay, but Bud Abbott and Lou Costello are still a great double act and their performances are appropriately pitched. Boris Karloff manages to be both hammy and menacing and most effectively, not everybody can succeed in some way making Dr Jekyll almost as sinister as Mr Hyde but Karloff does and remarkably. Overall, very entertaining and while not Abbott and Costello at their best it is worthy. 8/10 Bethany Cox

slayrrr666 "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde" is a slightly underrated entry in their series.**SPOILERS**Failing to stop a fight in a crowded park, London Police Officers Slim, (Bud Abbott) and Tubby, (Lou Costello) are kicked off the squad. When they find a serial killer at a playhouse where the leader of the fight, Vicky Edwards, (Helen Westcott) is giving a dance performance, Bruce Adams, (Craig Stevens) and them give chase and try to trap him, only to find they have instead caught Dr. Henry Jekyll, (Boris Karloff) a respected member of the community. Finding a secret lab, which they believe is the place where he conducts his experiments, which turn him into the murderous Mr. Hyde. Teaming together, they race to get the monster before it is able to escape.The Good News: This wasn't that bad of a film. The greatest thing is that Jekyll/Hyde story, which was always really a modern reworking of the werewolf myth with the mad scientist's laboratory in lieu of the full moon and silver bullets, is that this version of the Jekyll/Hyde story moves far closer to it's werewolf ancestor than most other versions. It's found in the prehensile design of the makeup and mostly in the last scene which has the monster threat being ed on to a line of police officers via a series of bites. The ending is it's most creative aspect, bringing the two mentioned themes into a film that haven't been mixed together in the past into a story that meshes them brilliantly is to be commended for it. It is also, at times, pretty funny, with plenty of great slapstick coming in throughout the film. The wax museum and dressing room gags are fall-down hilarious, and the round-robin stalking scene around a roof-top air conditioner allows for some nice laughs as well. With plenty of head-smacking, mistaken identity and pratfalls to be found as well, this can be just as funny as their other adventures. The wax museum sequence stands out as the film's highlight, as it's highly original, wonderfully played out, immensely creepy and full of energy, with nary a second wasted. It's one of the best scenes in their catalog, and remains quite good overall. The chasing at the end is a good way to end it, but lacks the energy of what came before. The opening attack, taking place in the fog-covered buildings, is suitably atmospheric and is a great opener. With a really good pace to it, this has a lot to like about it.The Bad News: There isn't a whole lot here that wasn't good. One of the problems was the feminist subplot. While introducing the love angle that was to come, it doesn't serve any purpose beyond the first fifteen minutes beyond a fleeting moment at the ending, and there was a lot of other ways of getting the two together without forcing the angle upon the viewer. The few plot-points it gets easily could've been done in other fashions, and doesn't do much of anything beyond wasting screen time. It's thankfully dropped and forgotten about quite early in the film. Another problem is the repetitiveness of everything. Searching a possible hideout, everyone splits up, leaving the easily-scared one of the group to find the one responsible, go into a hysterical fit upon this, and run away in a comical manner, to be reed by the others and have his story laughed away as something. It's been done in their other ones, and doesn't really do much here other than provide a few giggles the first time, but wears thin upon repeated viewings. Beyond these, though, it's a fun entry.The Final Verdict: A really underrated entry in their series, this one was a lot of fun and provides what is to be expected of these films. It provides plenty of opportunities for slapstick while giving a serious threat star treatment. At the very least, it requires a look-see for fans to give it a shot, it's not as bad.Today's Rating-PG: Violence

Neil Doyle While not quite in the same league as A&C MEET FRANKENSTEIN (the top fright flick in the duo's career), ABBOTT AND COSTELLO MEET DR. JEKYLL AND MR. HYDE does manage to have the stars cavorting in Victorian London while trying to unmask the respectable Dr. Jekyll (BORIS KARLOFF in a delightfully underplayed role) as the mad killer Hyde.HELEN WESTCOTT and CRAIG STEVENS play the romantic leads in standard fashion but the suffragette sub-plot is really an unnecessary distraction to the overall plot. Some of the sight gags are funny but toward the last segment of the story they're overplayed for whatever laughs can be drawn from the over-the-top situations.Best segments of the well staged and handsomely mounted film are the scenes involving a wax museum which give the film some of its creepiest moments. The first chimney top chase is well done too and even more effective than the silly final chase which depends so heavily on the comic timing it gets from Stevens, Karloff, Abbott and Costello.All told, it's got enough plot elements to keep your attention riveted on the story--everything from a sinister laboratory to hidden ages and bookcases that hide Jekyll's sinister experiments. The gaslit Victorian era with fogbound streets is well realized on Universal's studio sets.Not the best of the A&C comedies, but certainly among the better mirth and fright films they did in the late '40s and early '50s. CRAIG STEVENS plays his role straight, as does Westcott, and together they and Karloff give the story whatever gravitas it has in the realm of boosting the suspenseful elements.