Reptileenbu Did you people see the same film I saw?

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

jotix100 A young boy, Jack, at the center of the story, is striking with childhood leukemia, something that comes from out of nowhere. His devastated mother, Marisa, only alternative is to find a bone marrow donor so she can save her son's life. Tragedy strikes Marisa again as she finds out her husband David has been cheating her with other women for years. David has kept a log about his female conquests, something that Marisa clings to in case Davids has fathered a child by any of his lady friends.Jack's roommate is the young Finn, whose Irish father, Connor, tries to amuse by bringing boat pieces that are fitted to his hospital bed. Connor is a man that loves the sea. He becomes Marisa's ally as they try to deal with their children's maladies. Being so close, Marisa sees in Connor, a widower, a friend and a man she can love because he is just the opposite of her cheating husband.This Australian melodrama was shown recently on cable. Not having a clue as to what it was about, we took a chance based on director Nadia Tass previous film, "Amy". The screenplay is by Lynn Renew and David Parker. AS films of this genre go, "Matching Jack" could have been a tearjerker, of the first order, but Ms. Tass saves the story with her strong direction and the acting she got from her cast.Jacinda Barrett plays Marisa with equal parts of rage and sweetness. Best of all in the film is James Nesbitt whose Connor feels real in the love for a son after losing his own wife. Instead of wallowing in sadness, Connor decides to keep on going in order to do what his son Finn would have wanted from him. Richard Roxburgh is fine as David. The two children, Tom Russell and Kodi Smith-Mhee give credible performances. Melbourne serves as a backdrop to the film which is photograph in all of its beauty by David Parker with a musical score by Paul Grabowsky. Despite its grim subject, the film sends a positive message.

busta rimes Technically competent and adequately performed Hallmark fare. Nadia Tass has to be a contender for Australia's own version of the "Otto Preminger Upward Failure" Trophy - an infamous award from Esquire Magazine accorded to the Swedish Hollywood director who started his career with a half decent film and got steadily worse thereafter. Since "Malcolm" (1986) , it's been downhill ever since for Ms Tass - and yet she seems to get automatically funded. It must be a Melbourne thing (ref Paul Cox et al).This film stinks on every level - because of its disguise as a quality film. It's cloying cast mug and perform by numbers. The plot comes from a weekend Robert McKee course and the resolution would probably even send hallmark executives asking for a shootout. The soundtrack is also pure saccharine, just in case you miss the point. There's no meat on any of the bones in this - it's all predictable and "charming". UUgh.Avoid at all costs.Oh, the score of 2 is for the her husband's cinematography ... which is excellent, as always.

patsy-j Oh dear. Am I the only movie goer who can -- and loves to -- suspend disbelief IF ONLY THE LITTLE ANNOYING DETAILS CHECK OUT AS TRUE!!?? I started off loving this movie. For 15 minutes. Love Tass/Parker. Or Loved Tass/Parker. Love Roxburgh. Love Melbourne as a great back-drop city. Thought all the acting terrific -- especially the boys -- wonderful -- great -- terrific actors in very small parts (Colin Friels; Gina Turner (? sorry if I got the name wrong) Amanda Muggleton -- and then -- and then -- the twee factor set in. Was it the Disney influence where, so I read, Tass/Parker have been working in for years of late? Whatever it was (I know what it was) the cutesy, Mary Poppins element took over with the inevitable sacrifice to truth. A terrible incident in the early hours of a big city hospital -- audible to the street below -- without even the scream of an approaching police car??! Obviously-disguised children allowed to escape a ward for terminally ill children in the middle of the night, while all the staff on the front desk did was nod and smile??! (And where did they get the money for the taxi??!).Big, emotionally-fraught scenes by ALL the actors (except the boys) were left with no following residue for the next scene. Therefore all the tears -- including the copious ones I initially believed from the lead actress -- left me cold and uninvolved because I simply could not believe them. It was a film made with 'Takes', not emotionally involved continuity between true characters.I was left with a big, cranky yawn. PAY ATTENTION TO DETAIL!! If you don't, you will NEVER get your audience to accept the BIG PICTURE.Such a shame. Shallowness in the script (I am a scriptwriter) ruined, for me, what could have been a lovely -- and true -- film -- which could have rewarded well all the wonderful actors in it.

gregking4 We've had a few dramas that deal with terminal cancer patients making the most of their limited time, including Hawks with Timothy Dalton and Anthony Edwards, and the recent The Bucket List, with Morgan Freeman and Jack Nicholson having the time of their lives. But when a film deals with young kids dying of leukemia then it becomes especially moving and heart wrenching. And that's what we get with Matching Jack, the first film in over a decade from the film making team of Nadia Tass and David Parker (Malcolm, The Big Steal, etc).The pair have astute commercial sensibilities, and their films have picked up numerous awards along the way. For most of the past decade Tass has been working on television dramas like Child Star: The Shirley Temple Story, etc. Tass returns to feature film with this moving drama about a mother's desperate struggle to save her son.When previously healthy Jack Hagen (Tom Russell) falls ill and is diagnosed with leukemia, he ends up sharing a hospital ward with Finn (Kodi Smit-Mhee). Finn's widowed father Connor (James Nesbitt) is eternally optimistic and up beat despite his son's illness. While waiting to find news of a marrow donor who could potentially save Jack, Marissa (Jacinda Barrett) discovers her husband's infidelity. Desperately she tracks down his former illicit lovers in the hope that one of his illegitimate offspring may be the match Jack needs. A strong friendship develops between the two boys, while Connor also comes to respect Marissa's strength and resilience.What could have been an overly saccharine film is given large injections of warmth and humour. Working from a script penned by Parker and first time writer Lynne Renew, Tass deftly mixes pathos and tears with generous dollops of winning humour. There are a few bits that stretch credulity, such as Connor giving the two boys a ride down a hospital corridor on a bed transformed into a makeshift boat, and the boys going on a secret outing to Luna Park.The film has been beautifully acted by the solid cast. Irish import Nesbitt is very good as Connor, and gives a sensitive, nuanced performance. Barrett gives a heartfelt performance as Jack's distraught mother. Richard Roxburgh is good as the sleazy David. While the adult performers are all good, it is the two young boys who give the movie its heart and soul and solid emotional punch. Russell (Last Ride, etc) is very good as Jack, while the consistently excellent Smit-Mhee (The Road, Romulus My Father, etc) is superb and continues to impress.Matching Jack is a shamelessly manipulative tear jerker of the first order, and cinemas should hand out boxes of tissues with every ticket sold.