Blood Bath

Blood Bath 495l6g

1966 "The shrieking of mutilated victims caged in a black pit of horror!"
Blood Bath
Blood Bath

Blood Bath 495l6g

5.1 | 1h2m | NR | en | Horror

A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.

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5.1 | 1h2m | NR | en | More Info
Released: March. 02,1966 | Released Producted By: Avala Film , American International Pictures Country: Yugoslavia Budget: 0 Revenue: 0 Official Website:
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A painter of morbid art, who becomes a murderous vampire by night and kills young women, attempts a daytime relationship with a woman who resembles a former love and is also the sister of one of his victims.

Genre

Horror

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Cast

Sid Haig

Director

Alfred Taylor

Producted By

Avala Film

Blood Bath Videos and Images 9i61

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  • Top Credited Cast
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  • Crew
Alfred Taylor
Alfred Taylor

Director of Photography

William Condos
William Condos

Makeup Artist

Jack Hill
Jack Hill

Director

Roger Corman
Roger Corman

Executive Producer

Jack Hill
Jack Hill

Producer

Bart Patton
Bart Patton

Production Manager

Ronald Stein
Ronald Stein

Original Music Composer

Jack Hill
Jack Hill

Screenplay

Stephanie Rothman
Stephanie Rothman

Screenplay

Blood Bath Audience Reviews 52q6s

Intcatinfo A Masterpiece!
WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Jenna Walter The film may be flawed, but its message is not.
hwg1957-102-265704 Put together from different sources of footage this actually hangs together quite well. An artist haunted by a woman one of his ancestors killed continues to murder young women and paint pictures of their corpses. It's only sixty two minutes long so it tells its story without any fuss and some of it looks excellent. Dark shadows, dark empty streets and gloomy beach scenes. There is a bleak atmosphere most of the time that is quite effective and some of it is quite creepy. The last scenes are very well done.What does let it down is the acting. William Campbell as Antonio Sordi tries to do a tortured artist but is stiff and unconvincing. The rest of the cast are not much better though I did find the group of beatniks in the cafe talking about 'quantum' art amusing. Lori Saunders runs around in several bikinis distractingly.It is worth seeing for the cinematography and some good macabre touches.
bugsmoran29 I must it I enjoyed this movie when I recently saw it on Comet. The cobblestone roads, the medieval pillars and the clock tower all gave the film a creepy atmosphere.The Beatnik painters gave a touch of comic relief to the grim topic of a vampire artist. William Campbell did a great job as the prowling murderer. The attack on the female victims were very believable and exciting. Seeing the beautiful Sanders romp on the beach in a revealing bikini was also a bonus. I was surprised there were no police on the scene to question the painters or the artist. Not one cop in sight! I was also rather baffled that the vampire only went for the neck of one victim while the others were drowned, strangled or attacked with sharp instrument.
MartinHafer This film seems like it has the scripts of several movies all shoved together--and although there are some eerie moments, the overall effort is rather poor. William Campbell (the actor who starred in the classic "Star Trek" episode "The Squire of Gothos") plays a bizarre artist. He specializes in paintings of women being murdered and people love them. However, you learn to make these paintings he actually kills people. Sounds familiar? It is if you've seen an earlier American-International film called "Bucket of Blood"--it's pretty much the same script. However, on top of this decent story, there are several other story elements--ones that make the film confusing and silly. You see, Campbell is actually VERY old and retains his youth through these killings--and vampire fangs appear when he kills. But, you never see him drinking blood nor is it even implied--and he walks around a lot during the daytime. What gives?! None of this makes a lot of sense. Even with a creepy ending, the film just never pays off and is silly and forgettable.
reptilicus This is complicated so pay attention. Roger Corman bought an unfinished film shot in Europe called OPERATION TITIAN concerning the hunt by both cops and crooks for a stolen Titian painting. Patrick Magee was the star. At the same time Jack Hill was shooting a movie in Venice, CA about an artist (biker film alumnus William Campbell) who kills his models and dips them in boiling wax (where have we heard THAT before?). By combining the footage, a trick he was to do many times in the 60's Corman created a film that essentially made no sense at all. Now that has never stopped our Roger so he brought in new director Stephanie Rothman who added an effect new to American movies, an oil dissolve, and shot even more footage to create a film about an artist who sometimes transforms into his remote ancestor who was falsely accused of witchcraft and burned at the stake only to return as a vengeance seeking vampire. Got all that? The stolen Titian painting was lost in the shuffle and Patrick Magee shows up only briefly as a jealous husband who gets dumped alive into the boiling wax.Meanwhile watch for Corman regulars Jonathan Haze, Sid Haig and Carl Schanzer turn up as Beatniks (leftover characters from BUCKET OF BLOOD perhaps?) who hang out in a coffee house, argue about art and use the word "quantum" a little too frequently. Also in the cast is Lori Saunders (billed here as "Linda") who went on the play the airhead, would-be journalist Bobbie Jo Bradley on "Petticoat Junction". This time she plays a dancer who is in love with Campbell never suspecting what he does with his models. She has a lengthy (8 minutes by my stopwatch!) scene where she does an interpretive dance on the beach and models 3 bikinis, each one smaller than the one before it, during the film.I do believe Joe Spinell saw this movie since the ending of his film MANIAC borrows liberally from the climax of BLOOD BATH.PS: This was not Lori Saunders only encounter with a mad killer. She would be chased by an axe wielding psychopath in a Tor Johnson mask (!) in SO SAD ABOUT GLORIA (1972).