Rillington Place

Rillington Place 5yo64

2016
Rillington Place
Rillington Place

Rillington Place 5yo64

7.1 | en | Drama

A three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.

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1
EP1  Ethel
Nov. 29,2016
Ethel

After a long separation, Ethel and her husband John Reginald Christie set up home in 10 Rillington Place, but Ethel soon wonders whether she has made the right decision. As war breaks out, the fractures in their relationship begin to reappear, with deceit, suspicion and violence never far below the veneer of married respectability.

EP2  Tim
Dec. 06,2016
Tim

When newlyweds Tim and Beryl move into 10 Rillington Place, they are befriended by their older neighbours the Christies. As time es and their relationship hits a rough patch, Mr Christie's interest and influence over the couple takes a much more sinister turn.

EP3  Reg
Dec. 13,2016
Reg

After the strain of Timothy Evans's trial, Christie finds it increasingly difficult to maintain the charade. As his marriage breaks down, he embarks upon a course of action which finally reveals his true nature to the world.

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7.1 | en | Crime | More Info
Released: 2016-11-29 | Released Producted By: BBC , Bandit Television Country: United Kingdom Budget: 0 Revenue: 0 Official Website: http://www.bbc.co.uk/programmes/b084k4p1
info

A three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.

Genre

Crime

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Rillington Place (2016) is currently not available on any services.

Cast

Christopher Hatherall

Director

Laura Donnelly

Producted By

BBC , Bandit Television

Rillington Place Videos and Images 5h633w

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  • Top Credited Cast
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  • Crew
Tim Roth
Tim Roth

as John Christie

Nico Mirallegro
Nico Mirallegro

as Timothy Evans

Jodie Comer
Jodie Comer

as Beryl Evans

John Paul Hurley
John Paul Hurley

as Albert Pierrepoint

Laura Donnelly
Laura Donnelly

Art Direction

Mags Horspool
Mags Horspool

Art Direction

Pat Campbell
Pat Campbell

Production Design

Elaine McLenachan
Elaine McLenachan

Set Decoration

Sam Stokes
Sam Stokes

Supervising Art Director

James Friend
James Friend

Director of Photography

Gill Horn
Gill Horn

Costume Design

Megan Giles
Megan Giles

Makeup Artist

Claire Harris
Claire Harris

Makeup Artist

Irene Napier
Irene Napier

Makeup Artist

Craig Viveiros
Craig Viveiros

Director

Sam White
Sam White

Editor

Rebecca Wright
Phillippa Giles
Phillippa Giles

Executive Producer

Elizabeth Kilgarriff
Elizabeth Kilgarriff

Executive Producer

Hilary Salmon
Hilary Salmon

Executive Producer

Lorraine Goodman
Lorraine Goodman

Line Producer

Sharon Bloom
Sharon Bloom

Producer

Ruth Sullivan
Ruth Sullivan

Foley Artist

Stuart Earl

Rillington Place Audience Reviews 203d5n

Nonureva Really Surprised!
Smartorhypo Highly Overrated But Still Good
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Janis One of the most extraordinary films you will see this year. Take that as you want.
jonathan-747-46162 Tim Roth plays the notorious serial killer John "Reg" Christie with bone-chilling eeriness, a masterly performance to no small extent aided by the cinematography and lighting, which would have had Hitchcock nodding in approval, and which borders as closely on the exagerrated as it gets without overstepping the line (in my opinion). The set design provides the appropriately grim backdrop of the poorer areas of 1940s and 1950s London, and the soundtrack is certainly enough to make anybody lie awake wondering what might be lurking under the floorboards of the house you just moved into. The story is very well told, leaving enough for the viewer's imagination to add to the horror as the ghastly details creep into your mind. But there is a piece missing at the very end, as if the director suddenly realised that the allotted running time was quickly running out, and had to cut out a large chunk without forethought. That, unfortunately, takes away a few stars from what would otherwise have been a little masterpiece, but which is now left marred by an ending that seems oddly thrown together with too many loose ends dangling. Nevertheless, it's well worth a watch - you'll never look at your balding uncle the same way again.
Paul Evans I have wondered for many years why there had been no attempt to retell the grizzly story of the goings on at number 10 Rillington Place. The fabulous 1971 version featuring the marvellous Richard Attenborough will live on as a classic forever. So once again, well done BBC for retelling a story in such a thorough and compelling way.The three hour format worked well, it allowed the story to develop naturally, at no point did it feel rushed, each character was given time to deliver.Tim Roth was sensational in the role of Christie, softly spoken, calm, yet monstrous and conniving, I believed utterly in the character he portrayed. He certainly looked the part also. It feels unkind to say that Samantha Morton is a safe pair of hands, but that she is, an actress of immense talent, who always seems to deliver the goods, a super performance as Mrs Christie.This drama made me curious about the case, and I've picked up a book for some further reading.If I was brutally honest, I'd say Part 1 was a little too slow, and felt like it had been padded out, twenty minutes into the second part though it takes a very sinister turn, and transforms into something nasty, but enthralling.Harsh, unnerving, but very impressive. 9/10
Prismark10 Rillington Place is a three part drama based on the events of the 1940s and 50s when John Christie (Tim Roth) is said to have murdered at least eight women in his dinghy and dank Notting Hill flat. One of the victims was his wife.The first episode was from the point of view of Ethel Christie (Samantha Morton.) The Christie's have had a turbulent marriage where they have separated in the past and they have moved to London from Yorkshire. There is distrust as she suspects her husband cavorting with prostitutes in seedy pubs.The second episode focuses on dim Tim Evans, the young man in over his head as his wife dies during a botched abortion and daughter later disappears and he is framed for their deaths.The final episode really goes in for the kill, the lies John Christie tells at Evan's trial and then we see him get rid of his wife and others before the authorities figure out that they might have executed the wrong man.The series really is dark and depressing as the grim post war years. The tale is told in a jumbled up narrative. Roth speaks in a quiet voice, he its to almost emulating writer Alan Bennett in his tone of voice. However this is a chilling, devious man, involved in criminal activities throughout his life ranging from stealing to assaulting a woman with a bat.Roth had a hard act to follow, Richard Attenborough played John Christie in the film 10 Rillington Place. Here Roth is hemmed in by the script because it builds up slowly to Christie's murderous spree and because it wants to approach the drama through different perspectives.While I ire the period setting, all dimly lit and rather squalid. I also found the series insipid when it should had been horrifying.
Khun Kru Mark One aspect of making a drama based on actual events is that we mostly know what's going to happen. This has the disadvantage of removing some of the apprehension needed to make good dramas work but it has the benefit of letting the viewer focus on other things.And in this case, there are plenty of 'other things' to absorb. The exquisite attention to detail on the sets, the (sometimes odd) writing, the inconsistent accents of some cast and the masterful performances of Tim Roth and Samantha Morton.For some viewers (like me) it's worth re-familiarizing yourself with a little backstory about these characters and the events that happened, as they give some reason and motivation behind some of the strange decisions that are made.There is probably too little material for a three-hour miniseries to satisfy a young audience and the violence of the events that unfold are implied rather than displayed... which leaves the drama somewhat lacking in suspense... especially in a story where such inventive ways were used to dispatch the victims.In the end, this BBC drama is drab, uneventful and too long. What makes it even more difficult to digest are the choppy and confusing (and entirely unnecessary) flashbacks and flashforwards.