Hellen I like the storyline of this show,it attract me so much

Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

jamie-lisle People who do not "get" Terry & June do not appreciate the classic British humour behind the programme. Terry Scott plays the everyman husband to perfection with a daft script fully latching into the "Carry On" vibe of the period.It is in the same vein as "The Fall & Rise of Reginald Perrin", "Fawlty Towers" and "The Good Life". Why? Because it captures the quintessential essence of the period it was made and extrapolates everyday situations until it hits the correct note of farce and silliness. This plays to the strengths of one of the true comedy legends of 70/80s British TV and film.Yes it's safe, yes it's homely, but that is what 90% of life was like in those days, and to a certain degree now. The main difference being that actors of the calibre of Terry Scott and June Whitfield do not appear in mainstream television these days.So settle back married suburban man, with a nice beer, and watch the repeats of this fun comedy safe in the knowledge that you are watching a true comedy great, bumbling through a programme in the manner of an Oliver Hardy or Tony Hancock. Always trying his best but failing.And this, married men - you are actually watching a mirror of your own life, without the laughter of a studio audience to ease the pain. "June! June!"

Chris Abbott This show lasted for most of the 1980s, and had its moments, but plots were usually dishwater thin and often painfully unfunny.Terry Scott and June Whitfield were wasted in this sitcom, they both deserved better, but it does provide some fond memories and I have found myself smiling at some repeated scenes. June Whitfield's talent for comedy is allowed to shine through on occasion (when she is not being a foil to Terry) and she really is clever.The 1980s is the last decade where you will find this kind of middle class, middle aged comedy, and many people it fondly, but I prefer to the decade for alternative comedy and the biting satire of Spitting Image.

ian1000 This cosy middle class sitcom became the subject of much hatred by the new breed of talented comedians in the 1980s, such as Ben Elton. Did it deserve such malice? Well Terry and June was never clever, it was never a well-written tale with different threads which intersect at the conclusion. It was the show your mother and father and probably grandparents watched. They chuckled rather than laughed, but they were never likely to be offended by the show, so the fact that it never challenged them was immaterial.One Foot In The Grave suffered initially because it appeared at first sight to be just another Terry and June.A few days after the death of Terry Scott an episode was broadcast on terrestrial TV, and that has been its final outing. There have been few repeats of the show on any TV channel.Thankfully TV comedy has advanced since Terry and June. It's hard to find kind words for it - Terry Scott did make the best of weak scripts.

ShadeGrenade One of the most unfairly maligned programmes of all time, 'Terry & June' was also one of the most popular sitcoms of the '70's and '80's.It started life as 'Happy Ever After', but when Eric Merriman decided he didn't want to write any more, it changed into this, hence the dropping of 'Aunt Lucy' and the Fletcher's becoming the Medford's. Yes, it was cosy, domestic, middle-class stuff; the plots ran the gamut of clichés from the boss coming to dinner, the vicar organising a jumble sale, and unwanted relatives coming to stay for the weekend. It was certainly not 'dreadful lazy comedy'. As for it being 'not clever', it was not meant to be. It was funny and well performed, and that was enough! I too loved the 'alternative' boom of the '80's ( 'Spitting Image', 'Black Adder', 'The Young Ones' etc. ) but also enjoyed conventional stuff such as this. If nothing else, it provided alternative comedy with something to be an alternative to. I found it sad though when the likes of Ben Elton took against both this and Benny Hill. Well, family oriented comedy has all but vanished from our screens, but where has it left us? Take a look at the latest T.V. schedules. All soaps and reality dross. The few comedies left are aimed at teenagers, meaning they are jam packed with swearing, bodily function jokes, and explicit sexual references. And they are not remotely funny either.The 'alternative comedy' boom was good in many ways, but had a dark side. It made conventional sitcoms appear old fashioned, drove away talented writers and performers such as Spike Milligan, and ultimately led to such unspeakable drivel as 'Little Britain' and 'Tittybangbang' ( heaven help us ). If it ain't broke, don't fix it!